Category: Professor Wu’s Rulebook

Opinion pieces; blog posts; articles

  • Why can’t men write about sex?

    How can men get away from their “bulbous salutations” and descriptions of women as empty vassals for them to have sex with, and start writing sex that is actually good?

  • Nothing in the Rulebook summer party

    Pick up your party hats and join Nothing in the Rulebook for our first ever creative summer party, as we raise a glass to our community of creatives and celebrate our fourth anniversary – as well as our new site redesign. Since first launching in August 2015, we’ve been absolutely honoured to feature a whole…

  • 7 shows to see at Edinburgh Fringe 2019

    This summer, thousands of shows, actors, directors, writers, musicians and other creatives descending upon the streets of Edinburgh for the world famous Fringe festival. As a collective of creatives, this very much feels like our sort of jam – the diversity of artistic talent on display is enough to make your creative tastebuds start salivating…

  • What Editors Want

    The place of the editor in literary production is an ambiguous and often invisible one. As readers, we may notice their role only when a certain lack of editorial presence is felt in the books that we read (for instance, in many self-published works on Amazon). While, as writers, editors can seem to be the…

  • Book review: Original plus DUB

    Here’s the premise: a person (poet, artist, writer, musician) chooses a collaborator (another writer, poet, etc.). They share a poem with one another, and then each produces a visual ‘dub’ version/remix of their collaborator’s poem. Now, perhaps unsurprisingly, as a collective creative ourselves, Nothing in the Rulebook was immediately inspired by this idea, which is…

  • Pattern recognition

    Author, poet and photographer Matthew Smith writes about the art of the collection or series – and making smaller works of art into something greater than the sum of their parts.  In an old TV interview, Hayao Miyazaki described dreaming up the part towards the end of Spirited Away, in which the train moves out…

  • Creatives in profile: interview with Joseph Alexander

    Joseph Alexander is a writer from a mixed Romani / white working class background. He went to Oxford for grad school and PhD, where he also taught for about 5 years. At Oxford, he had a one-sided feud with Richard Dawkins for stealing his vegetarian lunch, until they sat next to each other at dinner…

  • Creatives in profile – interview with Augustine

    One of the hottest prospects to hit the music scene in 2019, Swedish artist Augustine first announced his presence with his hit debut, “Luzon” at the start of the year. Since then, more singles have followed, along with a critically acclaimed EP, Wishful Thinking at the start of the summer. At 22-years of age, Augustine is…

  • Creatives in profile: interview with Matthew Smith

    Nothing in the Rulebook first caught up with writer and photographer Matthew Smith through a conversation about Wundor Editions – a London-based publishing house. Since then, his first collection of poems, Sea of the Edge has been published, while he has also won second place at the London Magazine Poetry Prize and won the Orbis…

  • Beyond Game of Thrones: in search of the ideal modern female heroine

    For the most part, Game of Thrones, with its gothic elements and yet supremely modern depiction of the female psyche, represents a compelling model for how female characters could be represented in contemporary fiction.