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    Aspiring creatives know only too well the difference between how we think things will turn out when we are younger and how they actually happen as we grow older. At school, when we are often in the top groups for art, theatre, English, music, it’s easy to get stuck thinking that it will be this way forever, and while we might be aware that most people find becoming professional artists quite difficult, there’s always that lingering suspicion that that sort of difficulty only happens to other people; and people will be celebrating our work continually from now until we retire.

    Of course, it nearly never turns out this way. We start to realise we are not guaranteed recognition and acclaim for our creative pursuits simply because we accustomed to receiving it in our youth. And life often starts to get in the way of where we thought we would be: whether that’s through work, which is increasingly stifling as a social construct, through our increasingly digital world that never switches off, or through our changing social or personal lives.

    There is a risk, as this starts to happen, of finding ourselves borne along through life via currents not of our choosing. This sensation that we are not quite in control of our destinies – though ultimately still personally responsible for them – can be crippling both mentally and creatively.

    We have therefore brought you some timely and worldly advice from legendary writer Hunter S. Thompson. The author of the Rum Diary and Fear and loathing in Las Vegas knows a thing or two about life’s changing paths and how they can affect you. In a letter to his friend Hume Logan, Thompson offers deeply thoughtful ideas, suggesting that the most important thing we can do is choose our lives and our paths for ourselves; because if we don’t our choices will ultimately be made by circumstance.

    What perhaps makes the letter all the more profound is that at the time he wrote it he had no idea he was to become one of the greatest writers of the 20th century. This is important because it is an accusation often levelled at great artists who offer their advice to aspiring creatives that the advice they give is all very well – but is often divorced from the realities that young and new artists find themselves living. Yet as Thompson was not successful when he wrote this letter, the beliefs he shares within it do not come tainted with success: they are raw, hypothetical statements of faith. If anything, that makes them all the more real. Read his words of wisdom below.

     

     

    “April 22, 1958
    57 Perry Street
    New York City

    Dear Hume,

    You ask advice: ah, what a very human and very dangerous thing to do! For to give advice to a man who asks what to do with his life implies something very close to egomania. To presume to point a man to the right and ultimate goal — to point with a trembling finger in the RIGHT direction is something only a fool would take upon himself.

    I am not a fool, but I respect your sincerity in asking my advice. I ask you though, in listening to what I say, to remember that all advice can only be a product of the man who gives it. What is truth to one may be disaster to another. I do not see life through your eyes, nor you through mine. If I were to attempt to give you specific advice, it would be too much like the blind leading the blind.

    “To be, or not to be: that is the question: Whether ’tis nobler in the mind to suffer the slings and arrows of outrageous fortune, or to take arms against a sea of troubles … ” (Shakespeare)

    And indeed, that IS the question: whether to float with the tide, or to swim for a goal. It is a choice we must all make consciously or unconsciously at one time in our lives. So few people understand this! Think of any decision you’ve ever made which had a bearing on your future: I may be wrong, but I don’t see how it could have been anything but a choice however indirect — between the two things I’ve mentioned: the floating or the swimming.

    But why not float if you have no goal? That is another question. It is unquestionably better to enjoy the floating than to swim in uncertainty. So how does a man find a goal? Not a castle in the stars, but a real and tangible thing. How can a man be sure he’s not after the “big rock candy mountain,” the enticing sugar-candy goal that has little taste and no substance?

    The answer — and, in a sense, the tragedy of life — is that we seek to understand the goal and not the man. We set up a goal which demands of us certain things: and we do these things. We adjust to the demands of a concept which CANNOT be valid. When you were young, let us say that you wanted to be a fireman. I feel reasonably safe in saying that you no longer want to be a fireman. Why? Because your perspective has changed. It’s not the fireman who has changed, but you. Every man is the sum total of his reactions to experience. As your experiences differ and multiply, you become a different man, and hence your perspective changes. This goes on and on. Every reaction is a learning process; every significant experience alters your perspective.

    So it would seem foolish, would it not, to adjust our lives to the demands of a goal we see from a different angle every day? How could we ever hope to accomplish anything other than galloping neurosis?

    The answer, then, must not deal with goals at all, or not with tangible goals, anyway. It would take reams of paper to develop this subject to fulfillment. God only knows how many books have been written on “the meaning of man” and that sort of thing, and god only knows how many people have pondered the subject. (I use the term “god only knows” purely as an expression.) There’s very little sense in my trying to give it up to you in the proverbial nutshell, because I’m the first to admit my absolute lack of qualifications for reducing the meaning of life to one or two paragraphs.

    I’m going to steer clear of the word “existentialism,” but you might keep it in mind as a key of sorts. You might also try something called “Being and Nothingness” by Jean-Paul Sartre, and another little thing called “Existentialism: From Dostoyevsky to Sartre.” These are merely suggestions. If you’re genuinely satisfied with what you are and what you’re doing, then give those books a wide berth. (Let sleeping dogs lie.) But back to the answer. As I said, to put our faith in tangible goals would seem to be, at best, unwise. So we do not strive to be firemen, we do not strive to be bankers, nor policemen, nor doctors. WE STRIVE TO BE OURSELVES.

    But don’t misunderstand me. I don’t mean that we can’t BE firemen, bankers, or doctors — but that we must make the goal conform to the individual, rather than make the individual conform to the goal. In every man, heredity and environment have combined to produce a creature of certain abilities and desires — including a deeply ingrained need to function in such a way that his life will be MEANINGFUL. A man has to BE something; he has to matter.

    As I see it then, the formula runs something like this: a man must choose a path which will let his ABILITIES function at maximum efficiency toward the gratification of his DESIRES. In doing this, he is fulfilling a need (giving himself identity by functioning in a set pattern toward a set goal), he avoids frustrating his potential (choosing a path which puts no limit on his self-development), and he avoids the terror of seeing his goal wilt or lose its charm as he draws closer to it (rather than bending himself to meet the demands of that which he seeks, he has bent his goal to conform to his own abilities and desires).

    In short, he has not dedicated his life to reaching a pre-defined goal, but he has rather chosen a way of life he KNOWS he will enjoy. The goal is absolutely secondary: it is the functioning toward the goal which is important. And it seems almost ridiculous to say that a man MUST function in a pattern of his own choosing; for to let another man define your own goals is to give up one of the most meaningful aspects of life — the definitive act of will which makes a man an individual.

    Let’s assume that you think you have a choice of eight paths to follow (all pre-defined paths, of course). And let’s assume that you can’t see any real purpose in any of the eight. THEN — and here is the essence of all I’ve said — you MUST FIND A NINTH PATH.

    Naturally, it isn’t as easy as it sounds. You’ve lived a relatively narrow life, a vertical rather than a horizontal existence. So it isn’t any too difficult to understand why you seem to feel the way you do. But a man who procrastinates in his CHOOSING will inevitably have his choice made for him by circumstance.

    So if you now number yourself among the disenchanted, then you have no choice but to accept things as they are, or to seriously seek something else. But beware of looking for goals: look for a way of life. Decide how you want to live and then see what you can do to make a living WITHIN that way of life. But you say, “I don’t know where to look; I don’t know what to look for.”

    And there’s the crux. Is it worth giving up what I have to look for something better? I don’t know — is it? Who can make that decision but you? But even by DECIDING TO LOOK, you go a long way toward making the choice.

    If I don’t call this to a halt, I’m going to find myself writing a book. I hope it’s not as confusing as it looks at first glance. Keep in mind, of course, that this is MY WAY of looking at things. I happen to think that it’s pretty generally applicable, but you may not. Each of us has to create our own credo — this merely happens to be mine.

    If any part of it doesn’t seem to make sense, by all means call it to my attention. I’m not trying to send you out “on the road” in search of Valhalla, but merely pointing out that it is not necessary to accept the choices handed down to you by life as you know it. There is more to it than that — no one HAS to do something he doesn’t want to do for the rest of his life. But then again, if that’s what you wind up doing, by all means convince yourself that you HAD to do it. You’ll have lots of company.

    And that’s it for now. Until I hear from you again, I remain,

    Your friend,
    Hunter”

     

     

     

  • Being an echidna isn’t all it’s cracked up to be; we lead solitary lives, lay eggs and we have nightmarish four-headed penises covered in spines.

    But reproduction that would make H.R. Giger blush aside, one must concede we are some of the cutest buggers.

    For the first time in 29 years, Sydney’s Taronga Zoo has successfully match-made a couple of echidnas who’ve given birth to three adorable echidlings. As a species, we’re notoriously stubborn when it comes to mating in captivity.

    Imagine if someone put you behind several inches of plexiglass with a lady you’ve never met before and peers at you from behind their clipboard expecting the marsupial mamba to happen without even a thimble of XXXX Gold to part the waters. I don’t think so.

    The creepy observed love-making paid off at least in the arrival of three ‘puggles’, whose sexes and names have yet to be determined. Might I suggest “Billy II” or, failing that, “Nicole Echidman”… Ok, ok, “Eartha Echid”

     

    “Ragnarok”.. now I’m just saying things

     

    BtE

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    The Literary Review have published their six-author shortlist for their world-famous annual Bad Sex in Fiction Award, which honours those authors who have produced an outstandingly bad scene of sexual description in an otherwise good novel. The purpose of the prize is to draw attention to poorly written, perfunctory or redundant passages of sexual description in modern fiction, and to discourage them. The prize is not intended to cover pornographic or expressly erotic literature.

    While the 2015 award was won by Morrissey – who joined a list of winners stretching back to 1993 – this year’s shortlist offers some stiff (word usage intended) competition for the prize.

    Ian McEwan received an honorary mention, but just missed out on making the final shortlist. Former Blue Peter presenter, Janet Ellis, joins authors Tom Connolly, Ethan Canin, Robert Seethaler, Gayle Forman, and Erri De Luca on this year’s shortlist.

    This year’s winner promises to be a tough one to call, with each of the authors showcasing exactly what not to do when it comes to writing about sex.

    A spokesperson for the judges said that some of the nominated extracts “fall into the classic bad sex mistake of overwriting, with mixed metaphors, uncomfortable similes, or becoming so hyperbolic they strain credulity”.

    Unintentional Madonna references put American novelist Gayle Forman on the judge’s list, while European prize for literature winner Erri de Luca makes the grade for a startlingly confusing sex scene, in which de Luca writes “my whole body had gone inside her.” One of the judges found the passage so confusing they said: “the detail of what’s happening gets so out of control it’s very hard to make head or tail of it.”

    Tom Connolly, meanwhile, finds his name on the list thanks to a description of perfunctory airport sex: “He watched her passport rise gradually out of the back pocket of her jeans in time with the rhythmic bobbing of her buttocks as she sucked him. He arched over her back and took hold of the passport before it landed on the pimpled floor. Despite the immediate circumstances, human nature obliged him to take a look at her passport photo.”

    The judges noted that, during Connolly’s sex scenes, it becomes apparent that the author’s grasp of human anatomy: “The  judges were struck by the incredible length of the male character’s arms. Sometimes anatomy goes a little bit wrong for a writer who’s trying to do too many things at once,” he said.

    Robert Seethaler is on the list for a sex scene that “takes itself too seriously”, according to a Literary Review spokesperson. Meanwhile, Ethan Canin is in the running for the dubious honour of the prize for overwriting and a heavy use of similes. In his book, Canin writes: “During sex she would be quiet, moving suddenly on top of him like a lion over its prey … The act itself was fervent. Like a brisk tennis game or a summer track meet, something performed in daylight between competitors.”

    Former Blue Peter presenter Ellis completes the shortlist after the panel of five judges singled her book out for a surprisingly agricultural passage:

     “‘Anne,’ he says, stopping and looking down at me. I am pinned like wet washing with his peg. ‘Till now, I thought the sweetest sound I could ever hear was cows chewing grass. But this is better.’ He sways and we listen to the soft suck at the exact place we meet. Then I move and put all thoughts of livestock out of his head.”

    You can read a full list of extracts from all the shortlisted writers and novels right here on Nothing in the Rulebook.

    This year’s winner will be announced on the 30 November. Keep a keen eye for news on who will be added to our fully comprehensive list of all the previous Bad Sex in Fiction award winners.

  • It’s that time of year again – the literary period that brings one of the greatest gifts of all to so many people around the world. That’s right, it’s time for the annual Bad Sex in Fiction award, the shortlist of which has just been announced.

    If you’re a fan of spasming muscles, shooting blobs of “lo-cal genetics”, sighs, moans, groans and general limb-flying raunchy madness, then you’re in for a treat.

    While Ian McEwan almost made it onto this year’s shortlist, all eyes are on the judges at The Literary Review, which founded the award, to see who will be crowned this year’s winner – and whose name will be added to our long-running connoisseur’s compendium.

    We’ve listed the full set of shortlisted authors below, along with their literary extracts. Enjoy!

     

    Ethan Canin – A Doubter’s Almanac

    “The act itself was fervent. Like a brisk tennis game or a summer track meet, something performed in daylight between competitors. The cheap mattress bounced. She liked to do it more than once, and he was usually able to comply. Bourbon was his gasoline. Between sessions, he poured it at the counter while she lay panting on the sheets. Sweat burnished her body. The lean neck. The surprisingly full breasts. He would down another glass and return.”

    Robert Seethaler – The Tobacconist

    “He closed his eyes and heard himself make a gurgling sound. And as his trousers slipped down his legs all the burdens of his life to date seemed to fall away from him; he tipped back his head and faced up into the darkness beneath the ceiling, and for one blessed moment he felt as if he could understand the things of this world in all their immeasurable beauty. How strange they are, he thought, life and all of these things. Then he felt Anezka slide down before him to the floor, felt her hands grab his naked buttocks and draw him to her. “Come, sonny boy!” he heard her whisper, and with a smile he let go.”

    Tom Connolly – Men Like Air

    “The walkway to the terminal was all carpet, no oxygen. Dilly bundled Finn into the first restroom on offer, locked the cubicle door and pulled at his leather belt. “You’re beautiful,” she told him, going down on to her haunches and unzipping him. He watched her passport rise gradually out of the back pocket of her jeans in time with the rhythmic bobbing of her buttocks as she sucked him. He arched over her back and took hold of the passport before it landed on the pimpled floor. Despite the immediate circumstances, human nature obliged him to take a look at her passport photo.”

    Janet Ellis – The Butcher’s Hook

    “When his hand goes to my breasts, my feet are envious. I slide my hands down his back, all along his spine, rutted with bone like mud ridges in a dry field, to the audacious swell below. His finger is inside me, his thumb circling, and I spill like grain from a bucket. He is panting, still running his race. I laugh at the incongruous size of him, sticking to his stomach and escaping from the springing hair below.”

    Gayle Forman – Leave Me

    “Once they were in that room, Jason had slammed the door and devoured her with his mouth, his hands, which were everywhere. As if he were ravenous.

    And she remembered standing in front of him, her dress a puddle on the floor, and how she’d started to shake, her knees knocking together, like she was a virgin, like this was the first time. Because had she allowed herself to hope, this was what she would’ve hoped for. And now here it was. And that was terrifying.

    Jason had taken her hand and placed it over his bare chest, to his heart, which was pounding wildly, in tandem with hers. She’d thought he was just excited, turned on.

    It had not occurred to her that he might be terrified, too.”

    Erri De Luca – The Day Before Happiness

    “She pushed on my hips, an order that thrust me in. I entered her. Not only my prick, but the whole of me entered her, into her guts, into her darkness, eyes wide open, seeing nothing. My whole body had gone inside her. I went in with her thrusts and stayed still. While I got used to the quiet and the pulsing of my blood in my ears and nose, she pushed me out a little, then in again. She did it again and again, holding me with force and moving me to the rhythm of the surf. She wiggled her breasts beneath my hands and intensified the pushing. I went in up to my groin and came out almost entirely. My body was her gearstick.”

     

     

    So, what do you think? Which of these writers deserves to join Morrissey and co on the full list of winners since 1993?

  • Let’s be honest here. 2016 hasn’t been the best of years. What started with a spate of celebrity deaths has also seen the escalation of conflict in the middle east, the election of a near-definite tyrant in the Philippines, the increasing divide between the richest 1% and the rest of the global population, the passing of the carbon threshold, Brexit, the rise of the alt-right in numerous Western Democracies, and even the election of Donald Trump as President of the United States of America.

    As we discussed recently on The Extra Secret Podcast, it’s important we don’t bury our heads in the sand over these concerning trends – and avoid giving into apathy. We also pointed out that the creative arts have the power to bring enlightenment and to fight the malignant forces that are currently stirring.

    And in addition to their revolutionary power, artistic projects also serve as pretty marvellous distractions – providing some much needed positive energy for those of us who are well in need of it as 2016 enters its final chapters.

    So, without further ado, we have compiled a list of creative projects and events that will help ensure you end 2016 on a much better note than we perhaps started on. Do check them out!

    1. Live reading of Goldsmith prize-shortlisted novel, The Absent Therapist

    What is it? Celebrated author Will Eaves will be delivering an animated reading of his Goldsmith Prize-shortlisted novel, The Absent Therapist. We speak from experience when we say this is an opportunity not to be missed.

    When is it? Late January 2017 (date TBC) at Bookseller Crow in Crystal Palace

    2. Pop-up photography gallery at gorgeous cocktail bar and former cinema in Walthamstow, London

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    A sneak preview of Vagabond Images photography.

    What is it? The creative mind behind photography project and site Vagabond Images, Michael Dodson, is hosting a pop-up gallery at a gorgeously renovated former cinema. With Christmas around the corner, and a proven fact that giving a gift of photographic artwork makes you over 37% sexier, the gallery offers you the chance to view and purchase prints (both framed and unframed), as well as canvases and greeting cards.

    When is it? 25 – 27th November at Mirth, Marvel & Maud in Walthamstow, London.

    3. Spread the word: creative writing workshop

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    What is it? Looking for a writing session that will trigger something new in your writing and your voice, and perhaps get you started on a new project? Give yourself an early festive treat, and join Spread the Word for their popular and inspiring creative writing session.

    When is it? 6th December at the Albany Performing Arts Centre, London.

    4. An evening with acclaimed novelist Sally Vickers

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    What is it? Salley Vickers’s first novel, Miss Garnett’s Angel, was an international word of mouth bestseller, and she has since established herself as one of the UK’s leading novelists, in the tradition of Penelope Fitzgerald and Marilynne Robinson. She will be holding a book reading event in the world-heritage historic city of Bath in the UK.

    When is it? 7th December at Toppings Bookshop in Bath.

    5. Writing poetry: Shakespeare’s women

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    Stunning venue: Westminster Cathedral

    What is it? An intense writing workshop with writing exercises led by publisher and poetry editor Katherine Lockton. The workshop will look at Shakespeare’s women in his plays and discuss how he portrays the female gender. Focusing on writing new material, participants will come away with a body of creative work (2 or 3 first drafts.) A limited number of places are available to ensure the tutor has ample time for each student. All levels welcome.

    When is it? 11th December with organisers from the Poetry Library at Westminster Cathedral, London.

    6. Ernesto Neto, “The Serpents’ Energy Gave Birth to Humanity” art installation

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    One of Ernesto Neto’s many immersive sculptures.

    What is it? Brazilian artist Ernesto Neto has a solo exhibit of new crocheted fabric sculptures, immersive installations and wall works.

    When is it? Neto’s exhibition is open until December 14th at the Tanya Bonakdar Gallery in New York.

    7. Opportunity to see one of the most iconic paintings in the world, the Goldfinch

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    What is it? The Goldfinch by Carel Fabritius is held as one of the most iconic – and most important – paintings in the world. It is now on show in Scotland for the first time ever – and admission is completely free. What more could you ask for?

    When is it? Fabritius’s painting is on display until the 18th December at the Scottish National Gallery in Edinburgh.

     

    Your event here?

    Are we missing something? If you have an event or creative project you’d like us to feature, let us know and get in touch!

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    43.1% of US adults read literature, according to the NEA’s Annual Arts Basic Survey and the Survey of Public Participation in the Arts. Find the interactive map of the data here

    In the fallout of Donald Trump’s victory in the US presidential elections, a multitude of commentators – from mainstream media analysts through to social media users – have been keen to analyse, deciphering the results and reaching conclusions as to what the precise cause of Trump’s victory actually was.

    The Guardian commentator George Monbiot, for instance, has attributed Trump’s victory to the neoliberal consensus that has gripped with globalised world since the late 1970s. The Spectator’s Theo Hobson, meanwhile, has tasked liberal democracy with being too “flawed” to function, and in its failure paving the way for Trump to ascend to prominence.

    While we dissect the different voter demographics for clues and reason – is it simply the case that rich white people won Trump his election victory, as exit polling data indicates? Or perhaps it is simply the case that America has a problem with the idea of a female president, as Patton Oswalt neatly opined in a single tweet that read: “What I’ve learned so far tonight: America is WAAAAAAAY more sexist than it is racist. And it’s pretty f******g racist.”

    With so many potential theses being thrown around the digital and traditional media spheres, we thought we’d throw our own into the mix. Given that we are a collective of creatives, bound by a single motto (“there’s nothing in the rulebook that says a giraffe can’t play football”) and focused on supporting artists and artistic endeavours of all kinds, you may not be surprised to hear that we believe the election of Donald Trump was due, in part, to a lack of literature – to a lack of inspiration, imagination, and art in general.

    We might also argue that there are too few giraffes playing football in this day and age; although unfortunately the datasets we have on even-toed ungulate mammals playing sports of any kind is, at best, inconclusive.

    Fortunately, we aren’t just postulating when it comes to the correlation between reading and art (or lack thereof) and Donald Trump’s election victory.

    While Trump himself has said he doesn’t read books, it may not be the greatest surprise that areas in the USA that provided him with the greatest levels of support are also those in which the lowest number of people read books (either regularly or at all) or are inclined to get involved with creative or artistic projects.

    Indeed, data pulled from the National Endowment of the Arts (NEA) show that in places like Mississippi, where Donald Trump beat Hilary Clinton by almost 220,000 votes (almost 60%), only 21.7% of people from the state read literature, and only 38.5% of people personally created or performed art.

    By contrast, those states with the highest rates of reading and artistic engagement were also the ones that polled most strongly for Clinton. Colorado, New Mexico, New York, California, Washington, Oregon, Minnesota, Illinois, Maryland, New Hampshire and Maine all scored at least 48% or above for literature reading levels, with the majority of these scoring closer to 60%. Indeed, some of the only outliers to this trend at New Jersey (voted Clinton), which had a 40.7% rate for literature and 44% artwork participation, and Pennsylvania (voted Trump), which had a 47.7% literature reading score, and 48.3% rate of art participation. Interestingly, Pennsylvania was among the closest run races of the election night, with Trump winning by a marginal 48.76% to Clinton’s 47.68%.

    Fans of the Democratic Senator Bernie Sanders – who ran Clinton extremely close for the Democratic nomination earlier in the year – will be pleased to know that Vermont (Sanders’s home state) had the highest rate of literature readers – at 62.8% – and an impressive 64% of Vermont residence said they regularly created or performed their own works of art.

    Of course, correlation can never be seen as causation, yet we would still make the case that a greater inclination towards creativity and art – as well as a passion for reading – are more likely to move people to vote in favour of progressive change, and intellectualism, as opposed to supporting a demagogue who has faced constant charges of racism and misogyny, and who has boasted about his inclination towards sexually assaulting women.

    This may well be because books so often contain within them the power to express important ideas in an engaging, thoughtful way – and can teach us truths about the world we may not otherwise see. Some scientific studies even indicate that reading literature is highly correlated with other kinds of behaviours, such as civic engagement and volunteering.

    Indeed, as we’ve posted in previous articles, literature turns us into citizens of the world; makes us smarter; and encourages us to be kinder. And famous artists, scientists, politicians and astronauts have also told us of the importance of books, reading and literature. Neil Armstrong, for instance, said simply “the knowledge you gain from books is fundamental to all human achievement and progress.”

    Likewise, a passion for art and creating new creative works speaks to an inclination towards the imagination: which, in order to flourish, grows from the idea that anything is possible – and that idealistic, wonderful things are within our grasp if only we choose to reach for them. Such an ethos seems to stand in stark contrast to the world of Donald Trump – a man who dismisses the science of climate change, who refutes the idea that it is better for human beings to co-operate with one another than oppose each other, and whose complete inability for nuanced thought means he thinks a potential solution to the trends of globalisation we have experienced in recent decades is to build a wall between the USA and Mexico.

    Unfortunately, recent years have also seen an increase in the number of libraries closing across the USA – and with them a declining availability and accessibility of literature for many citizens. Simultaneously, cuts to public schooling and education – and increasing costs of higher education – mean that opportunities for young people to access art and literature are further diminished. Since our formative years are just that – formative – such disinvestment in education seriously threatens to undermine the power of literature and art to influence people, and encourage them to think in ways that create new possibilities.

    Because, of course, Donald Trump – for all his talk of change – in many ways does not represent anything of the sort. He is not a man of new possibilities; but instead epitomises the private, corporate power that many of his supporters claim to have railed against, and which is in itself one of the core tenants of the neoliberal consensus that has been with us for so many years.

    Literature and art, on the other hand, represent just this: the potential to create and imagine new worlds, new beginnings and possibilities; real change, in other words. To that end, the author Ursula K Le Guin has called on writers to imagine alternatives to the capitalist system.

    Whether or not literature has the power to spark a revolution remains to be seen. What we do know is that human beings have within them the power to do incredible things – even those that were previously thought to be impossible. And we also know is that reading itself is associated with empathy and kindness and truth – not one of which Donald Trump stands for. This, if nothing else, should be cause to triumph the power of reading literature and creating works of art.

    Encouraging people to consume more literature is therefore critical. As we try to digest and process Trump’s victory (you can listen to our conversation on this topic on the Extra Secret Podcast here), perhaps the first form of protest we can all participate in is one of the simplest: going to our local library, checking out a good book and then looking to get involved with a local or digital creative arts project.

    If you’re stuck for ideas on which books to check out of your library, why not kick off with one or two of the titles on our list of essential reading for the Donald Trump Apocalypse? And if you’re looking to get involved with a creative art project, remember that we here at Nothing in the Rulebook would love to hear from you and feature your work – so do get in touch!

    Until that end, comrades, do not despair; just keep reading, and keep your minds open to all the possibilities in the world.

     

  • Do you know your Carrie from your Christine? Do you know better than to visit Jerusalem’s Lot for a malted milk after dark? What’s the actual name for the clown (who’s also a spider and immortal inter-dimensional doomsayer) who promises to give you a balloon if only you’d come a little closer to the storm drain?

    We’re more likely to talk about Stephen King’s awkwardly titled On Writing: A Memoir of the Craft here but this echidna remembers, with a fond hue, evenings spent cradling the bedside lamp, mightily summoning the strength and will to turn yet another page of Salem’s Lot, Pet Sematary or The Ten O’Clock People.

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    King being all kingly

    We’ve read a handful of King’s writings but are by no means experts so we spent a couple of minutes this afternoon testing our mettle in BBC Radio 4’s Stephen King Quiz.

    The quiz marks BBC’s Fright Night, a series of spooky readings and performances including Sex in the City’s Kim Cattrall reading Ira Levin’s Rosemary’s Baby and a three-part adaptation of King’s The Cookie Jar.

    Let us know how you fared in the comments, and don’t forget to check out some of Stephen King’s writing tips and King’s thoughts on the commercialisation of literature.

    BtE

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    Eric and Dan are the masterminds behind the awesome Extra Secret Podcast. 

    Ahoy there, friends! The team here at NITRB are thrilled to announce we had the honour of making a special guest appearance on the fabulous Extra Secret Podcast.

    Given the tumultuous events that have happened recently, and the potential of an impending “Trumpocalypse” (essential reading for which can be found here), we thought it would be pertinent to discuss the really important things in the world right now. So, naturally, on the show we discuss everything from Donald Trump to literature, podcasting, digital technology, art, creativity and – of course – obscure cartoon shows from the early 2000s.

    Without further ado, you can check out the show now through this link, and don’t forget to subscribe to what is – we think – one of the best podcasts going right now.

    For further reading, don’t miss our interview with the Extra Secret Podcast team; and if you’re thinking of starting your own podcast, catch up on their tips for podcasters, while you’re at it.

     

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    Urban emotion – photography via Vagabond Images

    There have never been so many photographs taken. With so many of us now using the latest in “smart” mobile phone technology (we use the term “smart” in quotation marks because is there really anything that smart about supporting an industry that is helping to destroy the planet?), we have, it seems, all become photographers. In fact, through various mediums like Instagram and social media in general, photography has perhaps never been so popular. Yet this is not to say the overall quality of photographs has improved. In fact, the proliferation of “everyman” photographers has perhaps changed the way we perceive what is – and has been – one of the most important artistic mediums of the 20th and 21st centuries.

    Psychologists have argued that our reliance on smartphone cameras to take photographs of ourselves and of our lived experiences is both narcissistic and damaging to our personal memories. While studies show that people who take “selfies” are more likely to be psychopaths, the fact that so many people now choose to photograph their food instead of eating it, and choose to film or take pictures of the historical monuments they visit, beautiful natural landscapes they see or nights out with friends they experience, has also been linked to a psychological misremembering of lived experiences. In other words, our reliance on smartphone technology to see the world for us means we don’t actually take in what it means to be alive. We are denied the experience of living.

    This is an incredibly disturbing concept, especially since photography has been one of the most important cultural phenomena of the last century or so. Not only does it allow people to communicate what is important to them through angles and perspectives we would not otherwise see, it also helps preserve history, facilitates communication and – when done truly artistically – moves people in ways that words sometimes cannot. While a picture of someone’s bacon and egg brunch will not change the world, the camera in the hands of, say Steve McCurry, Annie Leibovitz, Robert King, David LaChappelle, Diane Arbus, Dorothea Lange or Mark Seliger, truly can make us stop and re-evaluate the way we see the world; the way we think about everyday life, or even the grander existential ideas that we are faced with.

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    Photography moves people in ways language sometimes cannot. Image via Vagabond Images.

    Photography, in short, matters. And while modernity’s narcissism may muddy the waters of the way we perceive the art form, it is critical we do not lose sight of its potential to help us see the world more clearly. To imagine a world devoid of photography as a genuine art form is to imagine a world lesser in its cultural impact, seemingy halved through the loss of its reflection through the expert’s camera lens. There are few other artistic mediums that help us to process and reflect reality – even though there are also so few other mediums that, through its proliferation and adulteration, are also able to obscure reality so fundamentally.

    There is clearly therefore a delicate balancing act that we must contend with when we think of photography as an art form and as part of our everyday lives. When photography was first invented two centuries ago, it was hailed as a revolution in terms of the way mankind perceived both time and place. And it is undoubtedly true that the visual impact of photography is a vital instrument to all of those people who seek to evaluate the world and make sense of it. Indeed, as a potent symbol of what is and what is not significant, the photograph can work in ways that language simply cannot.

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    Photography helps us evaluate the world, and make sense of it. Image via Vagabond Images.

    The French photographer Henri Cartier Bresson once said that “it is an illusion that photos are made with the camera […] they are made with the eye, heart and head”. It certainly seems true that it is the ability to feel and think as well as see that makes a truly great photograph – for through this we are able to engage in the adventure of examining reality, making the familiar strange and vice versa.

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    “It is an illusion that photos are made with the camera […] they are made withe the eye, heart and head”. Image via Vagabond Images 
    A wonderful example of this is the work of Vagabond Images – the photographic collection of the photographer Mike Dodson. The myriad different styles of photography available, from mysterious, emotional urban landscapes to vivid depictions of the natural world, right through intimate portraits of human beings – in all their intricate, flawed and magnificent states of being – the collection contains within it everything that photography should be.

    You may have noticed we are pretty big fans of this photographic work – as we’ve been featuring a small collection of the images in this very article. You can treat this as a sneak peak of what’s on offer. We love a good sneak peak as much as the next person, after all.

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    Photography can be so much more than a picture of sausages and beans taken on a smartphone. Image via Vagabond Images.

    The really good news here is that Vagabond Images will be hosting a pop up gallery in Walthamstow, London, on the weekend of the 25th November in Mirth, Marvel & Maud. We here at Nothing in the Rulebook thoroughly recommend you checking it out. After all, it’s a proven fact that photography makes you 62% better (better at what you might ask? Well, just generally better). Don’t take out word for it of course – check it out for yourselves!

  • Australian literary award split between novelists Wood and Gorton

    Experience and enthusiasm combined as a debut Australian novelist and a five-time author shared a prestigious literary award for fiction this week.

    The Natural Way of Things, about the hidden tension in one of Australia’s establishment families and The Life of Houses which centres on a group of women kept prisoner in a derelict home, were joint fiction winners of the prime minister’s literary awards.

    The $80,000 prize money will be divided between authors Charlotte Wood and Lisa Gorton with some of the fund going to shortlisted authors.

    Announcing the winners at the National Library of Australia on Tuesday night, the prime minister, Malcolm Turnbull, said winning and shortlisted authors had continued Australia’s rich literary tradition.

    The winning entries were selected from a shortlist of 30 books from 425 entries across each of the three categories of fiction, non-fiction and poetry, by the prime minister and a panel of experts.

    Read more at The Guardian.