When we last wrote about computer algorithms producing works of creative writing, we were talking slightly off-kilter poetry from the ‘mind’ of a program called OGDEN. Now we’re back on the topic again – only this time we’ve abandoned poetry in favour of Harry Potter; the greatest selling book franchise of all time.
Less an advanced computer algorithm and more a simple predictive text keyboard, Botnik describes itself as “a community of writers, artists and developers collaborating with machines to create strange new things.”
In their latest project, the team behind Botnik fed the machine the entire volume of seven Harry Potter novels, and then asked it to come up with a new chapter for the franchise.
The result really is quite something. Titled, Harry Potter and the Portrait of What Looked Like a Large Pile of Ash, you can read the latest chapter of Potter and co online (which you should do right now).
To give you a flavour of what’s in store, check out the first two pages below:
What seems so glorious about this endeavour is the feeling that for all its clear absurdity – “They looked at the door, screaming about how closed it was and asking it to be replaced with a small orb. The password was ‘BEEF WOMEN,’ Hermione cried.” – there is still some semblance of Harry Potter and J.K. Rowling to it all.
While we are a little in awe at the surreal genius of some of the lines Botnik has created, there is nothing fancy about these machines. They are not magically complex. They are simple algorithms built by simple tools. They follow predefined rules of grammar and structure to compose what they perceive as logical-sounding snippets.
The passages do reveal, however, interesting patterns within the lexicon of the Harry Potter franchise. The lines that do make sense, or perhaps don’t feel out of place – “Leathery sheets of rain lashed at Harry’s ghost as he walked across the grounds towards the castle.” – come across this way precisely because as readers we are used to seeing this type of descriptive exposition put down in this type of order. The words Botnik sometimes chooses may not always fit the bill – “he immediately began to eat Hermione’s family” – but they are presented (for the most part) in an order and structure that J.K. Rowling utilises most of all. In this way, Botnik holds up a fascinatingly surreal mirror to the writing voice and style of one of the best selling authors in history.
So, it would be thoroughly fascinating to find out what J.K. Rowling herself made of this quasi-A.I project. Does she see herself in some of the passages of Botnik-Potter? Or, perhaps the more intriguing question focuses on the machine in all of this – and so we might better ask Botnik whether it dreams of Electric Harry Potter.