nothing in the rulebook
A collective of creatives bound by a single motto: There's nothing in the rulebook that says a giraffe can't play football!
Year: 2017
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There is always a sense of excitement in watching a film debut. We live in an increasingly homogenised culture, in which it seems the only movies released at cinemas are sequels, prequels, reboots or copies of movies that are copies of other successful movies. The commercialism of the movie production industry has minimised the potential…
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On Thursday 8th June, UK citizens will go to the polling booths for the third time in three years to vote in an election they did not ask for, called by a Government that has systematically eroded public services, damaged the country’s creative and artistic industries, caused the stagnation of wages for all but the…
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Ahead of the UK General Election on June 8, Nothing in the Rulebook recently compiled separate articles on what the manifestos of the two main political parties – Labour and the Conservatives – mean for the UK arts sector and those professionals working (or seeking to work) within the country’s creative industries. In the interests…
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As the date of the UK General Election nears, Nothing in the Rulebook has sifted through the manifestos of the Labour and Conservative parties to decipher exactly what each is offering in terms of support for the arts and creative industries in the UK. It is important to note that, over the past six years,…
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As the date of the UK General Election nears, Nothing in the Rulebook has sifted through the manifestos of the Labour and Conservative parties to decipher exactly what each is offering in terms of support for the arts and creative industries in the UK. It is important to note that, over the past six years,…
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As the deadline to register to vote in the 2017 General Election nears, 7 million voters – most of them younger – remain disenfranchised. This continues a long-recognised trend in British elections; in 2015, only 43% of young people aged 18-24 voted in the General Election, compared to an overall turnout of 66 % and…
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Few writers have exploded onto the literary scene with quite as much acclaim as Andrew McMillan. The South Yorkshire-born poet’s debut collection, ‘Physical‘, was the first ever poetry collection to win The Guardian First Book Award. The collection also won the Fenton Aldeburgh First Collection Prize, a Somerset Maugham Award (2016), an Eric Gregory Award (2016)…
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Recent political events have sharply thrown into focus the disintegrating nature of the UK’s national identity; and yet, in mainstream publishing at least, there are few books that provide much focus on the myriad different cultures and voices that make up this (non-) United Kingdom. It is for this reason that James Yorkston’s debut novel…
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Laura Waddell writes reviews of fiction, a book column, articles, and short fiction and poetry. She has been in the Guardian, Independent, Sunday Mail, Gutter, Glasgow Review of Books, 3AM magazine, Review 31, and others, while working extensively in literary and translation publishing before joining HarpterCollins as Publishing Manager of Children’s Reference. Shortlisted as Emerging Publisher…