F(r)iction (4) is the latest anthology from literary publisher Tethered by Letters. This is an important point to make because neither F(r)iction, nor Tethered by Letters, are quite like any anthology or literary publisher you’re likely to come across. The publisher doesn’t just print books – it is also an excellent resource for writers of all stripes, offering invaluable insight into the trade of authorship, as well as into the fascinating world of literature and the publishing scene in general. It’s no surprise that an organisation clearly unafraid to push the boundaries of literature and explore new possibilities of the written word have produced such an interesting book.
Simply put, F(r)iction is a stunning, visually and intellectually inspiring book to pick up. The illustrations that run throughout its pages are truly brilliant works of art – and all of these complement the pieces of writing they sit among, while also telling their own tales, in a wide variety of artistic styles.
As with all anthologies, there will be pieces of writing that one is drawn to more than others. It is therefore fortunate that the standard of writing throughout the anthology is so high; and that any preference between pieces comes down to a matter of taste, rather than negative criticism of one story or other.
Andrew McFadyen-Ketchum’s On the 100th Anniversary of Mary’s death is certainly one story that deserves special mention. While the fact that the story is cut out into shards and pieces runs the risk that some may see it as a simple formatting gimmick, the writing itself is so tight and crisp that evidence of a very real writerly talent is clearly on show. Intriguing and captivating throughout, with subtle shifts in emphasis and tone keep the reader entrapped in an quasi-mystical relationship with the words on the page. Certain extracts, also, leap out at you:
“Instead, we ate cheese on crackers and drank Australian Shiraz from clear plastic cups in the foyer. Instead, we made visors of our hands to shield the glare of fluorescents reflected in Mary’s blown-up stills: snapshots of stairs cut into the stone of a mountain, Nepalese children beaming and bedraggled before a straw hut, a shaman naked in dreads on a wheel of stone. No, She did not strain her eyes at us from her portraits. No, the hallway fluorescents did not shiver and blink. Her sisters stood awkwardly by the exit door. Strangers shuffled past with their refreshments. No one paused to question the light.”
And the cumulative effect of the scattered narrative is of having spent the day watching a combination of Adam Curtis documentaries and Alfred Hitchcock movies (which can only ever be seen as a good thing).
Follow the leader, a comic-book styled narrative from Jonas McCluggage, is another arresting piece from this overwhelmingly enjoyable collection. Aside from the graphic illustration, which is superb, the story the words and images combine to tell is both disturbing and compelling, as we are drawn into a hunt not only trying to discover the reality behind the mysterious opening section, and the so-called ‘cult’ that has taken over the otherwise peaceful American town of Larranceville, but also into an exploration of mortality – and of the human condition. Quite a feat for a short comic.
But it is not for us to review and comment on every piece in this anthology. The marriage between narrative forms – including fiction, comic book and poetry – as well as between new writers and voices, throws (as all marriages tend to do) curve balls at the reader as we move from one piece to the next. But it never feels jarring, and it never feels forced. Indeed, as is perhaps the ideal for all marriages; F(r)iction has a remarkable habit for only ever throwing up pleasant surprises. And, underneath it all, it burns with a true passion for literature, for the written word, and, most importantly of all: for new ideas – which are so often lacking in contemporary publishing. A must read.
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