“Groundbreaking” app to predict whether a book can be crowdfunded successfully

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Award-winning publishing company Unbound has launched a “groundbreaking” app to predict crowdfunding revenue as well as the length of time required to fund a project.

Unbound, who have carved out a space in the literary market for bringing together traditional publishing and crowdfunding, have already successfully brought over 300 books to market. The company now hopes the new app, developed by their own head of data science and astrophysics, Dr Noelia Jiménez Martínez, will help improve their commissioning decisions and increase profitability.

Having recently launched their own Crowdcube campaign to help expand the publishing house, the new app could play a key role in attracting new investors.

The app uses data from more than 200,000 pledge transactions on its platform, as well as authors’ online engagement, to predict revenues. It is now being used by the company’s commissioning team, with 80% accuracy.

Unbound books

Already featured among Nothing in the Rulebook’s list of fabulous independent and alternative book publishers, Unbound has been making waves ever since it first emerged onto the literary scene.

Based out of a converted warehouse in London, the expert team behind the company have over 300 years of expertise in publishing and connecting people around creative projects.

They’ve got a wonderful catalogue of books they’ve already published (including ones shortlisted for the prestigious Man Booker Prize). But of course, the real thrust of Unbound comes from discovering new authors and ideas, and liberating (read: crowdfunding) them.

There are some exceptional projects currently out there – all of which are worthy of support. To give you a flavour of the variety of excellent books on offer, we’ve compiled a short list:

  • The ‘Advanced Rhyming Dictionary‘, from Adam ‘Shuffle T’ Woollard – a revolutionary rhyming dictionary and workbook for multisyllabic rhymes.
  • Keeping On’, by James Kennedy – part memoir, part exposé of the music world’s murky underbelly and part collection of life lessons gained from many years of ‘trying’ but ultimately having to learn to live with defeat.
  • Crow Court‘ by Andy Charman – a novel of short stories set in Wimborne Minster, Dorset, in the 19th century.
  • Blackwatertown‘ by Paul Waters – think LA Confidential meets The Guard set in Northern Ireland against the backdrop of the troubles.
  • Never So Perfect‘ by Sobia Quazi – a domestic noir, psychological thriller set in London amongst an elite set of British Asian society.

There are also books about Brexit, deepwater diving, and illustrated satirical books about dogs (of the philosophical variety).

So, what are you waiting for? Go get funding them, eh!

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Will Eaves’s novel ‘Murmur’ – inspired by real-life tragedy of Alan Turing – wins £30,000 literature prize

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The novelist and poet Will Eaves has won the 2019 Wellcome book prize for his fictionalised take on the chemical castration of mathematician Alan Turing.

‘Murmur’ (read our review here), published by CB Editions, was hailed as “a future classic” by judges of the £30,000 prize. It is Eaves’s fifth novel and the third published by the independent printing press run by Charles Boyle. The book has been picking up critical acclaim since it was published – winning the Republic of Consciousness award earlier in 2019 and being shortlisted for the Goldsmith Prize and James Tait and Folio awards.

Taking its cue from the arrest and legally enforced chemical castration of the mathematician Alan Turing, Murmur is the account of a man who responds to intolerable physical and mental stress with love, honour and a rigorous, unsentimental curiosity about the ways in which we perceive ourselves and the world.

Formally audacious, daring in its intellectual inquiry and unwaveringly humane, Will Eaves’s new novel is a rare achievement that explores everything from love, society, mathematics, memory and consciousness itself.

In an interview with Nothing in the Rulebook, Eaves said of his novel:

“I was very nervous about tackling Turing. I’m not a mathematician so I had to work hard to understand the meta-mathematics of Godelian incompleteness, the Entscheidungsproblem, etc, and I hope I haven’t made too many errors. For fictional purposes, he had to be his own avatar: I couldn’t allow myself to put words into the mouth of a genius. That would have been wrong. But I think my overall wager is sound. Murmur tries to find a dramatic paraphrase for Turing’s physical, mental and political predicament. It asks: how does one fit the personal experience of trauma into a material conception of the world? The story’s scientist, Alec Pyror, discovers that the outward responses one gives to the world are not necessarily related to the inner life, which may be crying out, in great distress. At the same time, the novel resists that pain. It’s the story of a man trying to overcome desolation and self-pity by objectifying the trauma.”

The judges of the Wellcome Prize, awarded to pieces of exceptional scientific writing, were left stunned by the impact of the novel. The judges called it an “extraordinary contemplation of consciousness” and “a feverish meditation on love, state-sanctioned homophobia and knowledge, alongside an exploration of sexuality, identity and artificial intelligence”.

Chair of judges, the novelist Elif Shafak, called Murmur “hugely impressive”, adding that it “will grip you in the very first pages, break your heart halfway through, and in the end, strangely, unexpectedly, restore your faith in human beings, and their endless capacity for resilience”.

“Every sentence, each character … is well-thought, beautifully written and yet there is a quiet modesty all the way through that is impossible not to admire,” said Shafak. “Whether he intended this or not, Will Eaves has given us a future classic and for this, we are grateful to him.”

Given the subject matter, the skill of the writer and the breadth of the novel’s scope, it is perhaps no surprise that Murmur is already being hailed as a groundbreaking piece of fiction that will influence readers for years to come. As Nothing in the Rulebook‘s own Professor Wu noted: “Startlingly ambitious in its scope and form, Murmur invites us into an incredible world of philosophical mathematics and artificial intelligence, written all the while with skill, care, and attention. What’s not to love?”

The 8th Emotion – book launch

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Here at Nothing in the Rulebook, we often find affinity with Colonel John “Hannibal” Smith, on that we love it when a plan comes together – especially when that plan involves fascinating new ideas and copious amounts of creativity.

Josh Spiller’s debut novel, The 8th Emotion, is heavy on both new ideas and creativity. We originally told you about the plan for this project when it launched on Kickstarter in 2018.  So it’s rather brilliant to now let you all know about the official launch of Spiller’s searing new novel.

Described by legendary writer Alan Moore as marking “the emergence of a fascinating fresh voice” and “Not so much fantasy as post-science science fiction”, The 8th Emotion promises to be everything you’d want from a book to read in 2019.

So, we’d strongly encourage all of you to make it over to the launch of the book on 1st February in London, where you’ll be able to meet the author and hear Spiller reading an an extract of his novel, meet fellow creative artists, writers and book lovers, and enjoy a selection of food and drink. The event details are here below:

Date: 1st February 2019

Time: 18.30 – 20.00

Venue: South Kensington Books (22 Thurloe Street, Kensington, London, SW7 2LT

In case you can’t wait that long, you can have a sneak peak inside the book and read a pre-released chapter right here on NITRB.

And you can also read an interview with Spiller about his book, writing, literature and everything else in between.

Blurb for The 8th Emotion

“I recently found something out… A way we can end all violence forever.”

In a tribal utopia, an unprecedented human emotion erupts into existence. It may be the key to an almost miraculous future.

But a vicious, predatory rot is also growing. And soon Jak, his best friend Martin, and his sister Laura, will become embroiled in a struggle that will irrevocably alter their lives, their society, and ultimately, the World…

Will Eaves makes Goldsmith Prize shortlist for second time

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Will Eaves makes the shortlist of the Goldsmith Prize for the second time.

The Goldsmith Prize – the literary award for “fiction at its most novel” – has nominated the author for the second time for his acclaimed novel Murmur, inspired by the real-life tragedy of Alan Turing.

Published by CB Editions – an exemplar of quality in independent publishing – Murmur follows The Absent Therapist as the second of Eaves’s books to be nominated for the prize.

It should perhaps come as little surprise to see Eaves on the shortlist once again. His work has repeatedly pushed the boundaries of modern literary writing, with Murmur, in particular, a real treat. As Nothing in the Rulebook’s own Professor Wu wrote:

“For all that the writing is excellent (as we have come to expect with Will Eaves); and for all that the book grapples with a veritable menagerie of ‘worthy’ ideas (there are so many more we could have discussed at length in this review); and for all that it provides another worthy voice to consider in the ongoing conversations surrounding artificial intelligence – none of these are really what the book is ‘all about’, or what readers should take away as being the most important aspect of Murmur. Because ultimately, what it all comes down to is that this is a novel about love. And it is the way in which Eaves presents this most human of emotions, that really makes this novel truly intelligent.”

The Goldsmith Prize was co-founded by Goldsmiths and the New Statesman in 2013 to reward “fiction that breaks the mould or extends the possibilities of the novel form”. In its four years it has launched new literary stars – Eimear McBride, who won the first prize – and changed the debate around what readers and publishers look for in a novel. Ali Smith has credited the prize with altering the publishing landscape: “The change it’s made is that publishers, who never take risks in anything, are taking risks on works which are much more experimental than they would’ve two years ago,” she told the Bookseller in 2015. “That, to me, is like a miracle.”

At a time when mainstream publishing so often seems concerned with publishing novels that are little more than copies of previously commercially successful novels, literary awards like the Goldsmith Prize are vital in supporting and promoting the work of new and adventurous writers.

Eaves has been joined by five other excellent authors, each with searingly original books of their own that very much hold the potential to reshape the way we approach the construction of novels.

Indeed, as Professor Adam Mars-Jones notes: “the 2018 shortlist offers a tasting menu of all that is fresh and inventive in contemporary British and Irish fiction. There’s poetic language here, not all of it in the verse novel selected, Robin Robertson’s The Long Take.  There’s the language of the streets, fighting to be heard, in Guy Gunaratne’s In Our Mad and Furious City and the language of an overmediated world in Olivia Laing’s Twitter-fed Crudo. There’s a cool survey of the unbalanced present in Rachel Cusk’s hypnotic Kudos, while the deceptively quiet unspooling of Gabriel Josipovici’s The Cemetery in Barnes shows the powerful effects that can be achieved without ever raising your voice.’

The full list of shortlisted books is below:

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Rachel Cusk – Kudos

Will Eaves – Murmur

Guy Gunaratne – In Our Mad and Furious City

Gabriel Josipovici – The Cemetery in Barnes 

Olivia Laing – Crudo

Robin Robertson – The Long Take

The winner of the award will be announced on 14 November. More information on the award can be found online.

Check out Nothing in the Rulebook’s interview with Will Eaves here. 

‘The last taboo’ – Elif Shafak contributes manuscript to the ‘Future Library’ project

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Mayor of Oslo Marianne Borgen, artist Katie Paterson and novelist Elif Shafak at the Future Library handover ceremony. Photo by Kristin von Hirsch

Turkish novelist Elif Shafak has joined Margaret Atwood and David Mitchell in committing a manuscript of her writing to the Future Library project – a 100 year artwork that will see her work unpublished until 2114.

Shafak’s text, The last taboo, was handed over in a ceremony in the Future Library Forest in Oslo, Norway. During the ceremony, the award-winning novelist, public intellectual and political commentator said:

“It’s been incredible moving for me to be part of this project, and I feel very honoured.

I think it is incredible important its happening at a time, when the world is going mad in many ways. Time and history is moving backwards. Countries doesn’t learn from their mistakes. They slide into egalitarianism, populism, nationalism and religious fanaticism. And essential, it is this tribalism that divides us into tribes and forces us into singular identities. So for me, the Future Library is an act of resistance. It is the way we swim against the tide. And I am very honoured to be part of it.”

Future Library is a public artwork by Scottish artist Katie Paterson that will unfold over 100 years in the city of Oslo, Norway.

In an interview with Nothing in the Rulebook, Paterson explained how the idea for a library spanning generations was important in our current age:

“I love the idea that you need to plan hundreds of years ahead for something to last or exist; it seems the antithesis of the current mode. Instead we live in a ‘one click’ world.

The planet is being destroyed right now and it’s affecting all of our lives. In that sense nature feels really close – you can’t help but think how even the rain falling on our heads is connected to the changing climate and the way the planet is trying to survive.

I think appreciating our natural environment is something Norway does exceptionally well. Our forest is a tiny patch inside the larger forest that surrounds the whole city of Oslo, which is protected under law so developers aren’t allowed to encroach on it. Oslo’s citizens deeply appreciate the forest too, and I think in a way this cultural link with the forest is why the city have been so supportive of Future Library.”

The forest planted near Oslo will, in 100 years’ time, supply paper for a special anthology of books written by authors from across the globe. The manuscripts donated by authors will be held in trust until 2114 – meaning that no adult alive today will ever know what is inside the books.

Speaking at the ceremony, Paterson said:

“Elif, your words have activated the future library. They are now stored inside the rings of this tiny unfolding trees. And these trees are like a bridge from here and into the future.”

Salt Publishing facing fight for survival

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Photo credit: Salt Publishing

Acclaimed independent book publishers Salt Publishing are facing a fight for survival, as a challenging time for the publishing sector continues.

In a tweet, Salt addressed its readers directly, asking for their support through the #JustOneBook initiative:

Dear readers, we need your help. Sadly, we’re facing a very challenging time and need your custom to get our publishing back on track. Please buy #JustOneBook from our shop right now https://www.saltpublishing.com/ 

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Salt is one of UK’s foremost independent publishers, committed to the discovery and publication of contemporary British literature. Advocates for writers at all stages of their careers, the company help ensure that diverse voices can be heard in an abundant, global marketplace.

While first founded as a poetry publishing house in 1991, Salt’s publishing has expanded to include children’s poetry, Native American poetry, Latin American poetry in translation, poetry criticism, essays, literary companions, biography, theatre studies, writers’ guides and poetry chapbooks as well as a ground-breaking series of eBook novellas.

Salt’s fiction list has also received critical acclaim. Books published by Salt have twice been nominated for the Man Booker Prize and shortlisted in the Costa Book Awards.

Speaking about the plight of Salt Publishing, Nothing in the Rulebook’s Professor Wu said:

“We live in an era where the biggest publishing companies and media organisations are only concerned with stabilising profits for shareholders – and are prioritising making money over supporting originality and new creative ideas. This is strangling our modern culture – limiting us to a devastating cycle of reboots, sequels, prequels and franchises; where the only novels we read are copies of novels that are themselves copies of commercially successful novels. This risk-averse and profit-focussed approach in turn risks homogenising our culture; and limiting our exposure to new ways of thinking.

At a time when we need new ideas and voices to counter the prevailing cultural winds, which tell us creativity is only of value if it sells, we need independent publishers like Salt to continue their fine work. We need diversity and originality in our publishing; not ceaseless imitation and repetition in pursuit of a fast buck. We need books that experiment and take risks; not those that seem afraid to be different. We need independent publishers; not corporate monopolies. We need Salt Publishing, in short.”

Readers can support Salt Publishing by purchasing #JustOneBook through their online store or via your local bookstores.

Politics of the Asylum

politics of asylumA new novel from award-winning poet, Adam Steiner, looks set to cast a shattering light upon the internal chaos currently ripping through the UK’s National Health Service (NHS).

Inspired by the author’s own experience working in the NHS, Politics of the Asylum is a nightmare vision of working and surviving in a modern healthcare system – and one man’s compelling and gripping battle to maintain his own sanity.

A blurb for the new novel reads:

Nathan Finewax is a cleaner in a hospital steadily falling apart, working on a ward where staff cheat/lie/steal to get ahead, where targets, death tolls and finance overrule patient care and every day the same mistakes are repeated. Nathan is sucked deeper into the hospital routine as he dreams of escape, trying to avoid one day becoming a patient himself.

Nothing in the Rulebook’s Professor Wu is eagerly anticipating the opportunity to read Steiner’s new book, saying:

“At a time when the NHS seems destined to continually move from crisis to crisis, under the steerage of a catastrophic conservative government, we need books that challenge the government’s narrative that privatisation and cuts in funding can do anything other than destroy one of the UK’s greatest institutions.”

“As we said during our ‘Haikus for the NHS‘ poetry project last year, poetry and fiction – writing itself – are crucial tools in the battle to save the NHS and maintain a service that was designed by the people; for the people. Steiner’s novel looks like another vital weapon we can use in our fight against prevailing neoliberal ideologies and ideologues, and we here at Nothing in the Rulebook can’t wait to read it.”

Politics of the Asylum is published by Urbane Publications