Will Eaves makes Goldsmith Prize shortlist for second time

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Will Eaves makes the shortlist of the Goldsmith Prize for the second time.

The Goldsmith Prize – the literary award for “fiction at its most novel” – has nominated the author for the second time for his acclaimed novel Murmur, inspired by the real-life tragedy of Alan Turing.

Published by CB Editions – an exemplar of quality in independent publishing – Murmur follows The Absent Therapist as the second of Eaves’s books to be nominated for the prize.

It should perhaps come as little surprise to see Eaves on the shortlist once again. His work has repeatedly pushed the boundaries of modern literary writing, with Murmur, in particular, a real treat. As Nothing in the Rulebook’s own Professor Wu wrote:

“For all that the writing is excellent (as we have come to expect with Will Eaves); and for all that the book grapples with a veritable menagerie of ‘worthy’ ideas (there are so many more we could have discussed at length in this review); and for all that it provides another worthy voice to consider in the ongoing conversations surrounding artificial intelligence – none of these are really what the book is ‘all about’, or what readers should take away as being the most important aspect of Murmur. Because ultimately, what it all comes down to is that this is a novel about love. And it is the way in which Eaves presents this most human of emotions, that really makes this novel truly intelligent.”

The Goldsmith Prize was co-founded by Goldsmiths and the New Statesman in 2013 to reward “fiction that breaks the mould or extends the possibilities of the novel form”. In its four years it has launched new literary stars – Eimear McBride, who won the first prize – and changed the debate around what readers and publishers look for in a novel. Ali Smith has credited the prize with altering the publishing landscape: “The change it’s made is that publishers, who never take risks in anything, are taking risks on works which are much more experimental than they would’ve two years ago,” she told the Bookseller in 2015. “That, to me, is like a miracle.”

At a time when mainstream publishing so often seems concerned with publishing novels that are little more than copies of previously commercially successful novels, literary awards like the Goldsmith Prize are vital in supporting and promoting the work of new and adventurous writers.

Eaves has been joined by five other excellent authors, each with searingly original books of their own that very much hold the potential to reshape the way we approach the construction of novels.

Indeed, as Professor Adam Mars-Jones notes: “the 2018 shortlist offers a tasting menu of all that is fresh and inventive in contemporary British and Irish fiction. There’s poetic language here, not all of it in the verse novel selected, Robin Robertson’s The Long Take.  There’s the language of the streets, fighting to be heard, in Guy Gunaratne’s In Our Mad and Furious City and the language of an overmediated world in Olivia Laing’s Twitter-fed Crudo. There’s a cool survey of the unbalanced present in Rachel Cusk’s hypnotic Kudos, while the deceptively quiet unspooling of Gabriel Josipovici’s The Cemetery in Barnes shows the powerful effects that can be achieved without ever raising your voice.’

The full list of shortlisted books is below:

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Rachel Cusk – Kudos

Will Eaves – Murmur

Guy Gunaratne – In Our Mad and Furious City

Gabriel Josipovici – The Cemetery in Barnes 

Olivia Laing – Crudo

Robin Robertson – The Long Take

The winner of the award will be announced on 14 November. More information on the award can be found online.

Check out Nothing in the Rulebook’s interview with Will Eaves here. 

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Not to be published for 100 years: Man Booker prize winning novelist Han Kang is the latest author to join the Future Library project

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You will have to wait a century before you are able to read Han Kang’s Future Library submission. 

Man Booker prize-winning novelist Han Kang has been named as the fifth writer to contribute to the Future Library project – a 100 year artwork that will see her work unpublished until 2114.

Han Kang joins Margaret Atwood, David Mitchell, Sjón, and Elif Shafak as the latest writer to contribute to the public artwork, which was first conceived by Scottish artist Katie Paterson.

In an interview with Nothing in the Rulebook, Paterson said there was a familial bond between the authors involved in the project:

“I think there is a thread that connects all the authors together. There is this almost familial bond that we create with them. Like a family tree, and each author follows in the footsteps of the one before and through the annual ceremony we do create a chain of people who are connected through time and through the trees.”

Speaking about Han Kang joining the project, Paterson said:

“Han Kang expands our view of the world. Her stories are disquieting and subversive, exploring violence, cruelty, fleeting life, and the acceptance of human fragility. As 2018’s author, Han Kang makes us confront uncomfortable issues: injustice, pain, mourning and remembering; a shared loss of trust in humankind, alongside the belief in human dignity. She leads us into the very heart of human experience, with writing that is deeply tender, and transformative. I believe her sentiments will be carried through trees, received decades from now, still timeless.”

An entire forest planted to make books

As part of the project, one thousand trees have been planted in Nordmarka, a forest just outside Oslo, which will supply paper for a special anthology of books to be printed in one hundred years’ time. Between now and then, one writer every year will contribute a text, with the writings held in trust, unpublished, until 2114.

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A path through the Nordmarka forest – where the footsteps of authors past, present and future will follow. Photo by  Kristin von Hirsch

Anne Beate Hovind, the curator of the Future Library project, spoke to Nothing in the Rulebook about the ethos behind the artwork:

“Projects like this are so important for our time. Just a couple of generations back, people were thinking this way all the time. You know, you build something or plant a forest, you don’t do it for your sake – you do it for future generations.

We kind of have this fast food thinking and now we have to prepare something for the next generation. I think more people realise the world is a little lost and we need to get back on track.”

“Pray for the fates of both humans and books”

Speaking about joining the project, Han Kang said:

“My first impression of the concept of Future library, was that it was a project about time. It deals with the time scope of one hundred years. In Korea, when a couple gets married, people bless them to live together ‘for one hundred years’. It sounds like almost an eternity.

I can’t survive one hundred years from now, of course. No-one who I love can survive, either. This relentless fact has made me reflect on the essential part of my life. Why do I write? Who am I talking to, when I write? Then I imagined a world, where no-one I love exists any longer. And in that world, the trees in Norway still exist, who I once met when I was alive. The clear gap of the lifespan between humans and trees struck me. This meditation is so strong that it has the power to directly open our eyes to the impermanence of our mortal lives and all the more precious fragility of our lives.

Ultimately, Future Library deals with the fate of paper books. I would like to pray for the fates of both humans and books. May they survive and embrace each other, in and after one hundred years, even though they couldn’t reach eternity…”

Safe storage

All one hundred manuscripts will be held in a specially designed room in the new Oslo Public Library opening in 2020. Intended to be a space of contemplation, this room – designed by the Katie Paterson alongside a team of architects – will be lined with wood from the Nordmarka forest. The authors’ names and titles of their works will be on display, but none of the manuscripts will be available for reading until their publication in one century’s time. No adult living now will ever know what is inside the boxes, other than that they are texts of some kind that will withstand the ravages of time and be  available in the year 2114.

Han Kang will hand over her manuscript in the Norwegian forest on Saturday 25 May 2019, everyone is welcome.

Familiar history: fascists attack bookstore in London

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With news that a small group of fascists have attacked an independent bookstore in London, it is easy to feel this may be a case of history repeating itself.

Bookmarks announced on 5 August that the store and its staff were attacked by “far right protestors wearing masks” the previous evening.

The owners of the store remained defiant, writing: “We will not let this happen! Never Again!”

Although physical damage to the store and its staff was minimal, the escalation in tactics deployed by right-wing protestors to specifically target a bookstore will appear to many to be a worrying turn of events.

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Nazis burning books in Germany

Watching the video of the attack – described as “an ambush” by one individual recording the video who appears to have the intellectual ability and wit of a rotting dog turd – certainly makes for troubling viewing.

Nothing in the Rulebook‘s very own Professor Wu said:

“Nothing in the Rulebook has previously cautioned against comparing the rise of extreme right wing groups in the US, the UK, and western Europe to the rise of fascism in the early 20th century. Yet, as a creative collective (indeed, one which even has the word ‘book’ in our name), attacking a book store is where we draw a line.

There are too many similarities between events taking place today and those witnessed by those generations before us who were forced to live through the horrors of fascism; of persecution, censorship, suppression, restriction of individual liberties, and, ultimately, genocide.

Independent bookstores like Bookmarks play a crucial role in investing in new ideas and voices to counter the prevailing cultural winds. Attacking places that allow truly free expressions of thought that seek to illuminate new ways of thinking speak to the fear those on the right have of genuine intellectualism. It is a clear sign that they fear the power of the written word; that they wish to disengage with what it represents (creativity; enlightenment; knowledge) so vehemently that they are willing to turn to violent, extreme methods of breaking free from its potential to influence and persuade those who are not so ignorant as them. Such violence is a sure sign for concern.

We now find ourselves in an age where the largest bookseller in the world pays virtually no taxes. Although Amazon allows micro-genres of fiction, such as Dinosaur Erotica, to flourish, it is no friend of the free-thinking liberal, or indeed anyone who would like to see the power of language used to fight the ignorance that threatens to bloom across the world.

At its heart, this attack was an attack on freedom of thought; not simply freedom of speech. The far-right often accuse the left of using political correctness to censor them; yet they are the ones attacking independent bookstores.

We therefore wish our comrades in Bookmarks and in independent bookstores across the world solidarity, success, and friendship. And we urge all readers to sign up to the Bookmarks solidarity event planned to take place in London. More than that – we urge you all to go out and buy books; to read books; and to go out and write them. Fascists wish to silence us, but we will not be silenced.”

Why poetry?

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“Poetry is not a luxury. It is a vital necessity of our existence,” Audre Lourde famously opined in a stunning argument on the importance of poetry as a tool of protest and resistance. In these times of extreme global crises, it may be tempting to write off things like poetry as an unnecessary luxury – something beautiful and enjoyable, but ultimately superficial.

It may come as no surprise to you that we here at Nothing in the Rulebook take a different view.

It is for this reason that we are extremely excited about a new project from the team behind the excellent Lunar Poetry Podcast (read our interview with their founder, David Turner, right here on NITRB).

The team are celebrating four years of poetry podcasting with the publication of an anthology of 28 poems by former guests of the podcast. Why Poetry? will be published September 27th by Verve Poetry Press.

Unique and surprising

The anthology promises to be a unique and surprising book, charting as it does the history of LPP alongside showcasing poems, most of which will be published for the first time in this book.

The featured poems will be paired with quotations taken from the 28 featured poets’ Lunar episodes. In this way, Why Poetry? highlights the inextricable link between process and final draft, and helps move us slightly closer to answering that gosh-darned question ‘but what is the point of poetry?’

Included in the list of poets discussing their process are four ‘Next Generation Poets’, major prize nominees and winners, and – most importantly – a number of writers without pamphlets or collections.

Writers who consider themselves ‘page poets’ sit alongside spoken word artists and poets known more for their performances than their journal appearance. Those who teach workshops and attend residencies accompany those whose ‘other jobs’ are in cafes and offices. In keeping with the core essence of the Lunar style, the anthology blurs the lines when it comes to what makes a poet a poet and why.

“An enigma”

Speaking about the anthology, Nothing in the Rulebook’s very own Professor Wu said:

“There seems a common misconception that the only purpose of poetry is to try and ‘solve’ it – perhaps a hangover from old school syllabuses that teach students to decipher poetic language and reduce it to a code of metaphors and analogies that need to be broken. Yet poetry is so much more than an enigma. For millennia, its purpose has been to move us, to help us see the world from different perspectives and to gain a deeper understanding of the world and of ourselves. Indeed, one of the finest things about poetry is that it makes us ask that simple yet difficult question: ‘why?’

It is for this reason projects like Why Poetry? are so important. They carry on a conversation that we risk seeing die out unless we recognise the importance of poetry. They engage us; offer new ideas and, most importantly; make us ask more questions.”

About Lunar Poetry Podcasts

Founded in October 2014 in south-east London, Lunar Poetry Podcasts features discussions, interviews and live recordings with poets in the UK and further afield.  Now based in Bristol, the podcast recently agreed a deal with The British Library which will result in the entire series being archived in their audio archive.

 

 

Ever wanted to run your own bookstore by the sea? Now you can!

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Bookshelf catering: your chance to run your own bookstore by the sea. Photograph by Mike Dodson/Vagabond Images.

For many litterateurs and book lovers, the prospect of running your own book store may sound a little bit like a far-fetched fantasy. Yet, thanks to the disruptive influence of AirBnB and a clever marketing gimmick, those who long to while away days amongst the bookshelves of a small independent book store can now do just that.

Founded by American Jessica Fox in the small Scottish town of Wigtown, ‘the Open Book’ offers holiday makers the chance to run their own bookshop during stints of up to two weeks.

Described as Scotland’s ‘Book town’, Wigtown has a population of just 900; but is served by 16 different bookshops. The perfect location, then, for such those looking for a “bookshelf” catering retreat.

“The bookshop residency’s aim is to celebrate bookshops, encourage education in running independent bookshops and welcome people around the world to Scotland’s national book town,” says the AirBnB listing.

Guests staying at The Open Book will be expected to sell books for 40 hours a week while living in the flat above the shop. Given training in bookselling from Wigtown’s community of booksellers, they will also have the opportunity to put their “own stamp” on the store while they’re there – arranging new window displays, as well as organising book readings and events.

You can follow the adventures of The Open Book’s residents via the bookshop’s Tumblr page.

 

‘The last taboo’ – Elif Shafak contributes manuscript to the ‘Future Library’ project

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Mayor of Oslo Marianne Borgen, artist Katie Paterson and novelist Elif Shafak at the Future Library handover ceremony. Photo by Kristin von Hirsch

Turkish novelist Elif Shafak has joined Margaret Atwood and David Mitchell in committing a manuscript of her writing to the Future Library project – a 100 year artwork that will see her work unpublished until 2114.

Shafak’s text, The last taboo, was handed over in a ceremony in the Future Library Forest in Oslo, Norway. During the ceremony, the award-winning novelist, public intellectual and political commentator said:

“It’s been incredible moving for me to be part of this project, and I feel very honoured.

I think it is incredible important its happening at a time, when the world is going mad in many ways. Time and history is moving backwards. Countries doesn’t learn from their mistakes. They slide into egalitarianism, populism, nationalism and religious fanaticism. And essential, it is this tribalism that divides us into tribes and forces us into singular identities. So for me, the Future Library is an act of resistance. It is the way we swim against the tide. And I am very honoured to be part of it.”

Future Library is a public artwork by Scottish artist Katie Paterson that will unfold over 100 years in the city of Oslo, Norway.

In an interview with Nothing in the Rulebook, Paterson explained how the idea for a library spanning generations was important in our current age:

“I love the idea that you need to plan hundreds of years ahead for something to last or exist; it seems the antithesis of the current mode. Instead we live in a ‘one click’ world.

The planet is being destroyed right now and it’s affecting all of our lives. In that sense nature feels really close – you can’t help but think how even the rain falling on our heads is connected to the changing climate and the way the planet is trying to survive.

I think appreciating our natural environment is something Norway does exceptionally well. Our forest is a tiny patch inside the larger forest that surrounds the whole city of Oslo, which is protected under law so developers aren’t allowed to encroach on it. Oslo’s citizens deeply appreciate the forest too, and I think in a way this cultural link with the forest is why the city have been so supportive of Future Library.”

The forest planted near Oslo will, in 100 years’ time, supply paper for a special anthology of books written by authors from across the globe. The manuscripts donated by authors will be held in trust until 2114 – meaning that no adult alive today will ever know what is inside the books.

Speaking at the ceremony, Paterson said:

“Elif, your words have activated the future library. They are now stored inside the rings of this tiny unfolding trees. And these trees are like a bridge from here and into the future.”

Salt Publishing facing fight for survival

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Photo credit: Salt Publishing

Acclaimed independent book publishers Salt Publishing are facing a fight for survival, as a challenging time for the publishing sector continues.

In a tweet, Salt addressed its readers directly, asking for their support through the #JustOneBook initiative:

Dear readers, we need your help. Sadly, we’re facing a very challenging time and need your custom to get our publishing back on track. Please buy #JustOneBook from our shop right now https://www.saltpublishing.com/ 

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Salt is one of UK’s foremost independent publishers, committed to the discovery and publication of contemporary British literature. Advocates for writers at all stages of their careers, the company help ensure that diverse voices can be heard in an abundant, global marketplace.

While first founded as a poetry publishing house in 1991, Salt’s publishing has expanded to include children’s poetry, Native American poetry, Latin American poetry in translation, poetry criticism, essays, literary companions, biography, theatre studies, writers’ guides and poetry chapbooks as well as a ground-breaking series of eBook novellas.

Salt’s fiction list has also received critical acclaim. Books published by Salt have twice been nominated for the Man Booker Prize and shortlisted in the Costa Book Awards.

Speaking about the plight of Salt Publishing, Nothing in the Rulebook’s Professor Wu said:

“We live in an era where the biggest publishing companies and media organisations are only concerned with stabilising profits for shareholders – and are prioritising making money over supporting originality and new creative ideas. This is strangling our modern culture – limiting us to a devastating cycle of reboots, sequels, prequels and franchises; where the only novels we read are copies of novels that are themselves copies of commercially successful novels. This risk-averse and profit-focussed approach in turn risks homogenising our culture; and limiting our exposure to new ways of thinking.

At a time when we need new ideas and voices to counter the prevailing cultural winds, which tell us creativity is only of value if it sells, we need independent publishers like Salt to continue their fine work. We need diversity and originality in our publishing; not ceaseless imitation and repetition in pursuit of a fast buck. We need books that experiment and take risks; not those that seem afraid to be different. We need independent publishers; not corporate monopolies. We need Salt Publishing, in short.”

Readers can support Salt Publishing by purchasing #JustOneBook through their online store or via your local bookstores.

Writing for the library of the future: Turkish novelist Elif Shafak commits manuscript to the Future Library project

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Turkish novelist Elif Shafak has joined Margaret Atwood and David Mitchell in committing a manuscript of her writing to the Future Library project – a 100 year artwork that will see her work unpublished until 2114.

Conceived by Scottish artist Katie Paterson, the Future Library is, in Paterson’s words, “a living, breathing, organic artwork, unfolding over 100 years”. Starting in 2014, each year Paterson, working closely with her partner and library curator Anne Beate Hovind, has approached a writer to contribute a manuscript to the project.

To support the project, a thousand trees have been planted just outside Norway in a forest, to ultimately provide the paper on which the manuscripts will be printed in a century’s time.

Speaking about the ethos behind the project, Anne Beate, in an interview with Nothing in the Rulebook, said:

“Just a couple of generations back, people were ‘cathedral thinking’ all the time. You know, you build something or plant a forest, you don’t do it for your sake – you do it for future generations.

We kind of have this fast food thinking and now we have to prepare something for the next generation. I think more people realise the world is a little lost and we need to get back on track.”

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Planting an entire forest that will one day help make the books of the library of the future takes time. Photo credit: Bjørvika Utvikling by Kristin von Hirsch.

Shafak, the author of novels including The Bastard of Istanbul, The Forty Rules of Love and most recently Three Daughters of Eve, will now follow Margaret Atwood, David Mitchell and Sjón as one of the 100 contributors to the project.

Speaking about Shafak joining the project, Peterson described the choice as pertinent, explaing: “Her work dissolves boundaries: cultural, geographic, political, ideological, religious and spiritual, and embraces a plurality of voices. Her storytelling is magical and profound, creating connectivity between people and places: a signal of hope at a particularly divided moment in time.”

Shafak herself has clearly discovered her own spiritual affinity with the project, saying:

“I had heard about the project, I had read about it; and I thought it was quite unique. The energy around it spoke to me. And I honestly thought it was a labour of love; I thought there was a lot of love involved in this project. The fact that you can leave a manuscript for the future, without knowing who will open up that box and read that manuscript – you know, for me it was like putting a letter in a bottle and putting that bottle in a river, and just, trusting that the river and the flow will take the letter to the right person, someday.”

The handover ceremony, where Shafak will deliver her manuscript in a ceremony in the Norwegian forest, will take place on 2 June. Yet if you are keen to find out more about Shafak’s involvement with the project, you can watch the following detailed interview with the Turkish author below.

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Faking Lit feat. Nothing in the Rulebook: a serious discussion about Dinosaur Erotica

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Would you be averse to a velociraptor opening your door handle at night? Have you ever looked at a picture of a Tyrannosaurus Rex and thought they’d make a great CEO of a large financial firm? These questions – and more – have been both raised and answered in the latest issue of the acclaimed podcast ‘Faking Lit’, in which five rising comedians get together to talk about books they may or may not have actually read.

Nothing in the Rulebook were thrilled to be invited onto the show to discuss the intriguing world of dinosaur erotica – where humans and dinosaurs get all kinds of jiggy with it.

Sitting within the wider genre of ‘moster book porn’, dinosaur erotica has proved to be quite the explosive phenomenon. Some of the best-selling authors behind the books (usually self-published) have earned so much from their craft that they have been able to quit their day jobs. With these books ranging in size from one to fifteen pages, and featuring titles such as ‘Taken by the T-Rex’ and ‘My billionaire triceratops craves gay ass’, the team behind Faking Lit had just one main question: just how hard can writing dinosaur erotica be?

Check out the podcast below and find out more about the quite frankly insane world of dinosaur erotica through the following helpful resources:

Watch Faking Lit live

On Thursday 29th March, the Faking Lit podcast team at Waterstones Tottenham Court Road, London, in a live Easter special of the podcast, as they work together to unlock the mysteries of Dan Brown’s blockbuster novel of Jesus secrets, The Da Vinci Code.

Check out the podcast

The podcast is available on Soundcloud, iTunes,Tunein and Stitcher.

Follow Faking Lit on Twitter via @Faking_Lit_Pod

Ever wanted to own your own bookstore? Now you can!

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Attention all book lovers! Ever wanted to own your own bookstore? Well, now you can – and through a writing competition, no less!

From My Shelf is a small, independently owned bookstore in Wellsboro, Pennsylvania, USA. Year round, they welcome in-store shoppers to browse the more than 60,000 new and gently used books that they have in stock at any given time. They also host regular writing and book-themed events.

And now, they are offering you the chance to own the store and run it yourself. What’s more, it comes totally rent free for the first six months!

All you have to do is explain, in 250 words or fewer, why bookstores are important to the community. No business experience is necessary, and there’ll be no credit check or monetary deposite required. All you need to do is pay your US$75 entry fee and submit your 250 word piece (the money will be returned to you if you win, or if less than 4000 people enter, in which case there is no winner).

The grand prize includes 60,000 books, 6 months’ free rent, an in-place staff and free consultation from current owners Kevin and Kasey Coolidge. The deadline is March 31, 2018, and entry details can be found at wellsborobookstore.com.

Nothing in the Rulebook’s Professor Wu says: “What’s not to love about this competition? In a world that so often appears to be ripping itself apart at the seams, in an era of massive globalization and corporatized capitalism, the relationship among readers, writers, publishers, independent booksellers is vital today, in an era in which it’s more important than ever to support community. When you think about all the ways in which an independent bookstore has impacted your life, don’t forget: we are as important to them as they are for us.”

While you’re here, why not check out some of the other fantastic prizes on offer to writers through our writing competitions page?