‘The last taboo’ – Elif Shafak contributes manuscript to the ‘Future Library’ project

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Mayor of Oslo Marianne Borgen, artist Katie Paterson and novelist Elif Shafak at the Future Library handover ceremony. Photo by Kristin von Hirsch

Turkish novelist Elif Shafak has joined Margaret Atwood and David Mitchell in committing a manuscript of her writing to the Future Library project – a 100 year artwork that will see her work unpublished until 2114.

Shafak’s text, The last taboo, was handed over in a ceremony in the Future Library Forest in Oslo, Norway. During the ceremony, the award-winning novelist, public intellectual and political commentator said:

“It’s been incredible moving for me to be part of this project, and I feel very honoured.

I think it is incredible important its happening at a time, when the world is going mad in many ways. Time and history is moving backwards. Countries doesn’t learn from their mistakes. They slide into egalitarianism, populism, nationalism and religious fanaticism. And essential, it is this tribalism that divides us into tribes and forces us into singular identities. So for me, the Future Library is an act of resistance. It is the way we swim against the tide. And I am very honoured to be part of it.”

Future Library is a public artwork by Scottish artist Katie Paterson that will unfold over 100 years in the city of Oslo, Norway.

In an interview with Nothing in the Rulebook, Paterson explained how the idea for a library spanning generations was important in our current age:

“I love the idea that you need to plan hundreds of years ahead for something to last or exist; it seems the antithesis of the current mode. Instead we live in a ‘one click’ world.

The planet is being destroyed right now and it’s affecting all of our lives. In that sense nature feels really close – you can’t help but think how even the rain falling on our heads is connected to the changing climate and the way the planet is trying to survive.

I think appreciating our natural environment is something Norway does exceptionally well. Our forest is a tiny patch inside the larger forest that surrounds the whole city of Oslo, which is protected under law so developers aren’t allowed to encroach on it. Oslo’s citizens deeply appreciate the forest too, and I think in a way this cultural link with the forest is why the city have been so supportive of Future Library.”

The forest planted near Oslo will, in 100 years’ time, supply paper for a special anthology of books written by authors from across the globe. The manuscripts donated by authors will be held in trust until 2114 – meaning that no adult alive today will ever know what is inside the books.

Speaking at the ceremony, Paterson said:

“Elif, your words have activated the future library. They are now stored inside the rings of this tiny unfolding trees. And these trees are like a bridge from here and into the future.”

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Salt Publishing facing fight for survival

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Photo credit: Salt Publishing

Acclaimed independent book publishers Salt Publishing are facing a fight for survival, as a challenging time for the publishing sector continues.

In a tweet, Salt addressed its readers directly, asking for their support through the #JustOneBook initiative:

Dear readers, we need your help. Sadly, we’re facing a very challenging time and need your custom to get our publishing back on track. Please buy #JustOneBook from our shop right now https://www.saltpublishing.com/ 

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Salt is one of UK’s foremost independent publishers, committed to the discovery and publication of contemporary British literature. Advocates for writers at all stages of their careers, the company help ensure that diverse voices can be heard in an abundant, global marketplace.

While first founded as a poetry publishing house in 1991, Salt’s publishing has expanded to include children’s poetry, Native American poetry, Latin American poetry in translation, poetry criticism, essays, literary companions, biography, theatre studies, writers’ guides and poetry chapbooks as well as a ground-breaking series of eBook novellas.

Salt’s fiction list has also received critical acclaim. Books published by Salt have twice been nominated for the Man Booker Prize and shortlisted in the Costa Book Awards.

Speaking about the plight of Salt Publishing, Nothing in the Rulebook’s Professor Wu said:

“We live in an era where the biggest publishing companies and media organisations are only concerned with stabilising profits for shareholders – and are prioritising making money over supporting originality and new creative ideas. This is strangling our modern culture – limiting us to a devastating cycle of reboots, sequels, prequels and franchises; where the only novels we read are copies of novels that are themselves copies of commercially successful novels. This risk-averse and profit-focussed approach in turn risks homogenising our culture; and limiting our exposure to new ways of thinking.

At a time when we need new ideas and voices to counter the prevailing cultural winds, which tell us creativity is only of value if it sells, we need independent publishers like Salt to continue their fine work. We need diversity and originality in our publishing; not ceaseless imitation and repetition in pursuit of a fast buck. We need books that experiment and take risks; not those that seem afraid to be different. We need independent publishers; not corporate monopolies. We need Salt Publishing, in short.”

Readers can support Salt Publishing by purchasing #JustOneBook through their online store or via your local bookstores.

Writing for the library of the future: Turkish novelist Elif Shafak commits manuscript to the Future Library project

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Turkish novelist Elif Shafak has joined Margaret Atwood and David Mitchell in committing a manuscript of her writing to the Future Library project – a 100 year artwork that will see her work unpublished until 2114.

Conceived by Scottish artist Katie Paterson, the Future Library is, in Paterson’s words, “a living, breathing, organic artwork, unfolding over 100 years”. Starting in 2014, each year Paterson, working closely with her partner and library curator Anne Beate Hovind, has approached a writer to contribute a manuscript to the project.

To support the project, a thousand trees have been planted just outside Norway in a forest, to ultimately provide the paper on which the manuscripts will be printed in a century’s time.

Speaking about the ethos behind the project, Anne Beate, in an interview with Nothing in the Rulebook, said:

“Just a couple of generations back, people were ‘cathedral thinking’ all the time. You know, you build something or plant a forest, you don’t do it for your sake – you do it for future generations.

We kind of have this fast food thinking and now we have to prepare something for the next generation. I think more people realise the world is a little lost and we need to get back on track.”

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Planting an entire forest that will one day help make the books of the library of the future takes time. Photo credit: Bjørvika Utvikling by Kristin von Hirsch.

Shafak, the author of novels including The Bastard of Istanbul, The Forty Rules of Love and most recently Three Daughters of Eve, will now follow Margaret Atwood, David Mitchell and Sjón as one of the 100 contributors to the project.

Speaking about Shafak joining the project, Peterson described the choice as pertinent, explaing: “Her work dissolves boundaries: cultural, geographic, political, ideological, religious and spiritual, and embraces a plurality of voices. Her storytelling is magical and profound, creating connectivity between people and places: a signal of hope at a particularly divided moment in time.”

Shafak herself has clearly discovered her own spiritual affinity with the project, saying:

“I had heard about the project, I had read about it; and I thought it was quite unique. The energy around it spoke to me. And I honestly thought it was a labour of love; I thought there was a lot of love involved in this project. The fact that you can leave a manuscript for the future, without knowing who will open up that box and read that manuscript – you know, for me it was like putting a letter in a bottle and putting that bottle in a river, and just, trusting that the river and the flow will take the letter to the right person, someday.”

The handover ceremony, where Shafak will deliver her manuscript in a ceremony in the Norwegian forest, will take place on 2 June. Yet if you are keen to find out more about Shafak’s involvement with the project, you can watch the following detailed interview with the Turkish author below.

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Faking Lit feat. Nothing in the Rulebook: a serious discussion about Dinosaur Erotica

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Would you be averse to a velociraptor opening your door handle at night? Have you ever looked at a picture of a Tyrannosaurus Rex and thought they’d make a great CEO of a large financial firm? These questions – and more – have been both raised and answered in the latest issue of the acclaimed podcast ‘Faking Lit’, in which five rising comedians get together to talk about books they may or may not have actually read.

Nothing in the Rulebook were thrilled to be invited onto the show to discuss the intriguing world of dinosaur erotica – where humans and dinosaurs get all kinds of jiggy with it.

Sitting within the wider genre of ‘moster book porn’, dinosaur erotica has proved to be quite the explosive phenomenon. Some of the best-selling authors behind the books (usually self-published) have earned so much from their craft that they have been able to quit their day jobs. With these books ranging in size from one to fifteen pages, and featuring titles such as ‘Taken by the T-Rex’ and ‘My billionaire triceratops craves gay ass’, the team behind Faking Lit had just one main question: just how hard can writing dinosaur erotica be?

Check out the podcast below and find out more about the quite frankly insane world of dinosaur erotica through the following helpful resources:

Watch Faking Lit live

On Thursday 29th March, the Faking Lit podcast team at Waterstones Tottenham Court Road, London, in a live Easter special of the podcast, as they work together to unlock the mysteries of Dan Brown’s blockbuster novel of Jesus secrets, The Da Vinci Code.

Check out the podcast

The podcast is available on Soundcloud, iTunes,Tunein and Stitcher.

Follow Faking Lit on Twitter via @Faking_Lit_Pod

Ever wanted to own your own bookstore? Now you can!

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Attention all book lovers! Ever wanted to own your own bookstore? Well, now you can – and through a writing competition, no less!

From My Shelf is a small, independently owned bookstore in Wellsboro, Pennsylvania, USA. Year round, they welcome in-store shoppers to browse the more than 60,000 new and gently used books that they have in stock at any given time. They also host regular writing and book-themed events.

And now, they are offering you the chance to own the store and run it yourself. What’s more, it comes totally rent free for the first six months!

All you have to do is explain, in 250 words or fewer, why bookstores are important to the community. No business experience is necessary, and there’ll be no credit check or monetary deposite required. All you need to do is pay your US$75 entry fee and submit your 250 word piece (the money will be returned to you if you win, or if less than 4000 people enter, in which case there is no winner).

The grand prize includes 60,000 books, 6 months’ free rent, an in-place staff and free consultation from current owners Kevin and Kasey Coolidge. The deadline is March 31, 2018, and entry details can be found at wellsborobookstore.com.

Nothing in the Rulebook’s Professor Wu says: “What’s not to love about this competition? In a world that so often appears to be ripping itself apart at the seams, in an era of massive globalization and corporatized capitalism, the relationship among readers, writers, publishers, independent booksellers is vital today, in an era in which it’s more important than ever to support community. When you think about all the ways in which an independent bookstore has impacted your life, don’t forget: we are as important to them as they are for us.”

While you’re here, why not check out some of the other fantastic prizes on offer to writers through our writing competitions page?

Politics of the Asylum

politics of asylumA new novel from award-winning poet, Adam Steiner, looks set to cast a shattering light upon the internal chaos currently ripping through the UK’s National Health Service (NHS).

Inspired by the author’s own experience working in the NHS, Politics of the Asylum is a nightmare vision of working and surviving in a modern healthcare system – and one man’s compelling and gripping battle to maintain his own sanity.

A blurb for the new novel reads:

Nathan Finewax is a cleaner in a hospital steadily falling apart, working on a ward where staff cheat/lie/steal to get ahead, where targets, death tolls and finance overrule patient care and every day the same mistakes are repeated. Nathan is sucked deeper into the hospital routine as he dreams of escape, trying to avoid one day becoming a patient himself.

Nothing in the Rulebook’s Professor Wu is eagerly anticipating the opportunity to read Steiner’s new book, saying:

“At a time when the NHS seems destined to continually move from crisis to crisis, under the steerage of a catastrophic conservative government, we need books that challenge the government’s narrative that privatisation and cuts in funding can do anything other than destroy one of the UK’s greatest institutions.”

“As we said during our ‘Haikus for the NHS‘ poetry project last year, poetry and fiction – writing itself – are crucial tools in the battle to save the NHS and maintain a service that was designed by the people; for the people. Steiner’s novel looks like another vital weapon we can use in our fight against prevailing neoliberal ideologies and ideologues, and we here at Nothing in the Rulebook can’t wait to read it.”

Politics of the Asylum is published by Urbane Publications

Murmur: new novel from Will Eaves inspired by real-life tragedy of Alan Turing

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The quite frankly brilliant independent publishing house, CB Editions, has announced the publication date of the equally brilliant Will Eaves’s latest novel, Murmur.

Taking its cue from the arrest and legally enforced chemical castration of the mathematician Alan Turing, Murmur is the account of a man who responds to intolerable physical and mental stress with love, honour and a rigorous, unsentimental curiosity about the ways in which we perceive ourselves and the world.

Formally audacious, daring in its intellectual inquiry and unwaveringly humane, Will Eaves’s new novel is a rare achievement. The opening section of Murmur was shortlisted for the 2017 BBC National Short Story Award.

Described as “quiet and horrifying” by The Guardian, The soon-to-be-published novel has already attracted praise from the writing community. Among them, author, poet, musician and cartoonist, Peter Blegvad, said: ‘Murmur is a profound meditation on what machine consciousness might mean, the implications of AI, where it will all lead. It’s one of the big stories of our times, though no one else has treated it with such depth and originality. A moving and marvellous book altogether.’

See CB Edition’s website for further information on Murmur and other titles by Will Eaves.

 

Nothing in the Rulebook will be keeping you updated with news and alerts for more news regarding exciting new releases of fiction and poetry. If you have a book or poetry collection you’d like to promote, get in touch using our contact information.

Author’s incomes continue to fall as literary fiction sales collapse

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At the start of 2016, Nothing in the Rulebook reported that authors’ incomes had collapsed to “near abject” levels – with professional writers earning on average just £11,000 a year.

Now, the trend seems to have accelerated, with a new report finding that a “collapse” in sales of literary fiction had seen advanced paid to writers diminish even further – meaning ever fewer authors were able to support themselves through their craft alone.

Indeed, the authors of the report, commissioned by Arts Council England, note that the shifts in the dynamics of the publishing industry have fundamentally changed the entire model on which writers previously built their careers.

The traditional model of writing could be said to begin with an author penning a masterful manuscript, subsequently being discovered by a powerful agent who lands said author an enormous book deal with a large advance. This supplies the necessary funding for the writer to pen further masterful manuscripts, with the same effect, all the while as their book sales continue to supplement their income. And so on ad infinitum.

Yet as 98% of writers report falling advances – with some noting cuts falling dramatically from over £50,000 per book to less than £5,000 – it seems this fall in writerly wages directly correlates with a collapse in sales of literary fiction.

Indeed, analysis of sales data from Nielsen BookScan found that hardback book sales slumped by £10 million between 2007 and 2001, with paperback sales falling even more dramatically – falling by over £40 million between 2011 and 2012 alone.

And, where once the book sales of ‘established’ or ‘major’ literary names could be relied on to supplement publisher’s investment in new or emerging writers, even these can no longer provide the financial support publishers need to sign on new talent.

Within the last 10 years, the only literary works to have sold more than 1 million copies include Atonement by Ian McEwan, the Kite Runner by Khaled Hosseini, the Time Traveler’s Wife by Audrey Niffenegger, and Life of Pi by Yann Martel. Last year’s best selling novel was Kate Atkinson’s A God in Ruins, which sold 187,000 copies – roughly half the number of 2015’s best selling novel, Elizabeth is Missing by Emma Healey.

As this collapse precipitates a further fall in income for new writers, the authors of the report note: “Outside of the top 1,000 authors (at most), printed book sales alone simply cannot provide a decent income. While this has long been suspected, the data shows unambiguously that it is the case. … What’s more, this is a generous assessment. After the retailer, distributor, publisher and agent have taken their cut, there won’t be a lot of money left from 3,000 sales of the 1,000th bestselling title. That we are returning to a position where only the best-off writers can support themselves should be a source of deep concern.”

So, what is to be done?

The image of the struggling – perhaps even starving – artist is one that is now so stereotypical as to be cliché. And while we here at Nothing in the Rulebook have tried subsisting on a carefully balanced diet of hopes and dreams, it’s fair to say it can leave a certain ache in the stomach.

With the trend in falling book sales and incomes continuing at pace, it seems as though aspiring writers must look to supplement their endeavours with funds from elsewhere.

Such is the current state of affairs that the authors of the report note that the traditional model and dream of a writing career “is now severely challenged. If you want to be on the inside of those networks and live in London, a £13,000 advance, spread over several years of work, won’t cut the mustard. Writers must, for better or worse, take on more financial risk in order to write.”

While the most obvious course of action may be to look at taking on a full or part-time job, such a decision may not necessarily be the best for one’s own writing. As Charles Bukowski put it: “To not to have entirely wasted one’s life working, seems to be a worthy accomplishment, if only for myself.”

But perhaps in the digital age, old challenges can be met with new solutions. For instance, Crowdfunding projects can see writers’ dreams become realities – such as Josh Spiller’s exciting new speculative fiction project, The 8th Emotion, which has received through crowdfunding the necessary financial backing that is perhaps no longer there to be found via traditional publishing models.

Indeed, as the print publishing industry appears to rely ever more on sales from cookbooks than literary fiction, aspiring writers may need to seek ever more imaginative ways to get their (much needed) new ideas and writing out there.

“Like water stains in a bathtub” – 2017 Bad Sex in Fiction prize goes to Christopher Bollen

 

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US author Christopher Bollen. Photograph: Getty Images

US author Christopher Bollen has been named the winner of the 2017 Bad Sex in Fiction Award for his novel The Destroyers.

The judges voted him the winner after reading a scene depicting the book’s protagonist, Ian, with his ex-girlfriend on the island of Patmos. The following extract drew particular focus from this year’s judges:

 “Do me a favor,” she says as she turns. She covers her breasts with her swimsuit. The rest of her remains so delectably exposed. The skin along her arms and shoulders are different shades of tan like water stains in a bathtub. Her face and vagina are competing for my attention, so I glance down at the billiard rack of my penis and testicles. “Let’s not tell Charlie and Sonny about us. Let’s leave them out of it. You know how this kind of thing can become a telenovela for everyone else.”

Bollen – editor-at-large of Interview magazine – did not attend the ceremony; not an uncommon move by winners of the award, with some previous winners describing receiving the dubious honour as “a repulsive horror”.

The Destroyers is his third novel and the judges said he “prevailed against strong competition” – with extracts from the books of those shortlisted available to read here.

The award, organised by the Literary Review, was presented by Carry On star Fenella Fielding at London’s Naval and Military Club – also known as the In & Out.

It was established in 1993 by journalist and writer Auberon Waugh.

Read extracts of all the winning authors of the Bad Sex in Fiction award since 1993

Organisers say the purpose of the prize is “to draw attention to poorly written, perfunctory or redundant passages of sexual description in modern fiction”.

It does not cover pornographic or expressly erotic literature.

Some notable lines from other nominees for this year’s award include those from Wilbur Smith’s War Cry, in which a male character says he would like to explore his lover “like Dr Livingstone and Mr Stanley exploring Africa”.

Another shortlisted work – The Future Won’t Be Long by Turkish-American author Jarett Kobek – likens sexual intercourse to a “pulsing wave”, a “holy burst” and a “congress of wonder”.

Another nominee – The Seventh Function of Language by France’s Laurent Binet – features a woman telling her lover to: “Fuck me like a machine.”

In her shortlisted debut novel Mother of Darkness, Venetia Welby wrote about a character called Tera who “moans in colours” as her lover approaches.

Recent winners include Morrissey’s debut novel List of the Lost, which has become infamous for its use of the phrase “bulbous salutation”. Last year the award went to Italian author Erri De Luca.

The 8th Emotion

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A new speculative fiction project, ‘The 8th Emotion’, has launched on Kickstarter. Set in a utopian future, the story is about how humanity unlocks a new emotion, thereby gaining a radically different way of perceiving the world. This in turn precipitates a civil war.

The Kickstarter is aiming to fund the design and printing of this novel, and at the time of writing, is already 70% of the way there.

The novel features a post-civilisation society where, centuries after the collapse of the world’s economies, money has been replaced by a sophisticated, bartering tribal network; its prose is unusually textured, incorporating elements of French, Armenian, and Lebanese Arabic into its dialogue; the book itself will include beautiful maps of its fictional world; and the novel’s cover will also be experimental, containing a significant Easter Egg that will only be apparent once you’ve read the final chapter.

If you help realise this project, there are lots of awesome rewards available, such as: having your name printed in the final book; receiving a unique signed and annotated edition; and getting Kickstarter-exclusive artwork from the stunningly talented Niamh Keenan and Alan Ashworth Muñoz.

Speaking about the launch of the Kickstarter project, Nothing in the Rulebook’s very own Professor Wu said:

“More than ever, it’s important that we have access to new and exciting literary works that encourage us to see the world differently. We live in impossibly turbulent times, and we need art, and books in particular, to illuminate some of the possible paths that lie ahead. Yet we increasingly live in a world in which it is becoming harder and harder to read books that aren’t copies or imitations of previously commercially successful books.”

“Josh Spiller’s The 8th Emotion promises to break that trend, in delivering a piece of writing that is different to anything you’ve ever read before. While the old traditional models of publishing continue to follow the money, we need to collectively band together to support such artistic endeavours. So get involved and make a pledge to help make this book become a reality.”

You can read an exciting extract of the novel here

And you can see the Kickstarter in full, including a video and all the wonderful rewards on offer, here.