Creatives in profile

Once described by Mark Twain as “an unhappy invention”, interviews are in some ways a strange form of media. Not quite entirely formal; but never truly casual, these recorded conversations between subject and interviewer have the potential to stray from banal, scripted and pre-recorded Q&As to existential, winding, in-depth and revealing verses.

Strange as they may be – perhaps occupying a space between spontaneous and prepared conversational performance – interviews are one of the few tools available to us that can still spark new ideas and uncover unique perspectives in an instant. As a tool for conjuring creative thinking, there are few better.

As we at Nothing in the Rulebook endeavour to support and promote creativity in all its forms, then, interviews are a crutch upon which we are proud to lean on.

Since we launched our creative collective in 2015, we have been honoured to interview writers, artists, photographers, comedians, film directors and entrepreneurs.

In our ‘Creatives in profile’ interview series, you can read our detailed discussions and conversations with them all.

Creatives in profile

We have collated all our interviews here below. Keep an eye out for more interviews as we publish them. Happy reading, comrades!

Eric Akoto

Erik Akoto

Akoto is the founder and publisher in chief of Litro Magazine. He also curates and comperes at literary festivals including Latitude and Hay.

“Ultimately, nothing can replace the smell of a printed book.”


Paul M.M. Cooper

paul-cooper.jpgCooper’s début novel River of Ink was one of the largest literary book deals at the London Book fair. He has written for websites and magazines, working as an archivist, editor and journalist.

“Artists around the world are currently struggling beneath autocratic regimes, and their art is often the mode they use to express their dissent.”

Rishi Dastidar

img_0008_2.jpegDastidar’s poetry and reviews have been published in the Financial Times, Tate Modern and the Times Literary Supplement, amongst many others.

“Don’t send your first draft: it won’t be ready. I guarantee it. If it takes 8, 16, 20 drafts to get a poem right, then take that long. This is a patient game. And the poem will wait for you.”

Mike Dodson

md-nitrb13Dodson’s photographic work has been used by organisations from the BBC to Pearson. Cutting his teeth as a copywriter and editor, he has written for Time Out, Viz and Private Eye, as well as the Metro newspaper.

“The great thing about technology now is that it has made everyone a photographer. The problem with technology now is that it has made everyone a photographer.”

Will Eaves


Will Eaves is a novelist, poet and teacher. Arts Editor of the Times Literary Supplement from 1995 to 2011, his books have, variously, been shortlisted for the Goldsmiths Prize, the Ted Hughes Award for Poetry and the BBC National Short Story Prize.

“Writing a book – and perhaps especially a book about a dreadful transfiguration – is a little like having a protracted fit. Once it’s over, there’s no way to retrieve the feverish actuality of the creative moment. Thank God.”

Extra Secret Podcast

IMG_4186Shhh, it’s a secret!

“We don’t advertise. It’s tough to reach a vast audience without dumping a ton of money into it. Good content will propel the show forward. Ultimately if you’re trying to do a podcast to get famous, have a million listeners…you’re doing it wrong.”


Julia Forster

Julia-Forster-B&W-©-Alice-Hendy-2014Forster is an author, non-fiction writer, journalist and publishing professional. She is also a mentor for writers at the Literary Consultancy.

“I believe that the crucial thing when writing an initial draft is not to judge yourself or your writing. Believe in yourself in epic proportions.”

Karen Healy

Karen HeadshotCo-founder of award-winning original comedy production company, Pondering Media, Karen is an actor, comedian, and social activist.

“Even if you’re dying on stage every night, just keep getting up there and doing it, you will eventually find your voice.”


Michael Healy

MichaelThe other half of Pondering Media, Michael is a writer and director.

“If the audience can’t walk in and get a strong impression of you and your work right away, you’re wasting your time.”


Henningham Family Press

d-henninghamHenningham Family Press (HFP) is the collaborative art and writing of David and Ping Henningham. HFP combines writing and art through fine art printmaking, bookbinding and performance.

“There’s no point having an experimental writing scene populated by wealthy people from a single school.”

Anne Beate Hovind

Hovind, Anne Beate-2Oslo native, entrepreneur and public art professional, Anne Beate Hovind is the curator of the world-famous ‘Future Library’ project.

“If you’re not curious about something, how can you have the passion for it, how can you find that energy?”

Asher Jay


Asher Jay is an acclaimed designer, artist, writer, and environmental activist.

“Look around you though, everything is life, there is nothing on this planet untouched by it. So I love life; I love all life on earth! […] because we are all the same when we breathe, when we allow ourselves to just be.”


Tim Leach

Tim LeachTim Leach is an historical fiction author and creative writing teacher. His debut novel, The Last King Of Lydia, was longlisted for the Dylan Thomas prize.

“What is ‘reality’? I think that we are creatures of narrative, it’s how we understand and process the world. We tell stories to survive, and the stories that we tell become our reality.”

Russ Litten

LittenLitten is the author of “Scream If You Want To Go Faster”, “Swear Down” and “Kingdom”. His short stories have appeared in various international magazines and he has written for the screen and radio.

“I don’t particularly like post-modernism that much. I find it a bit tiresome and unhelpful. I like sincerity and stuff that’s from the heart.”

Iain Maloney

Maloney is the author of three novels, First Time Solo, Silma Hill and The Waves Burn Bright and has been shortlisted for the Guardian’s Not The Booker Prize and the Dundee International Book Prize.

“As writers, we have an ethical responsibility to engage honestly with our stories, with our subjects, not to shy away because a handful of people won’t agree.”

Andrew McMillan

McMillan photo credit Urszula SoltysOne of the most exciting new talents to hit the poetry scene in recent years, McMillan’s debut collection, Physical, was the first ever poetry collection to win The Guardian First Book Award.

“I think all artists always wish they were proficient at something else, but I have no other skills, I can only write (and most days I can barely do that).”

Katie Paterson

Katie Paterson1

Widely regarded as one of the leading artists of her generation, Paterson’s work collapses the distance between the viewer and the most distant edges of time and the cosmos.

“I love the idea that you need to plan hundreds of years ahead for something to last or exist; it seems the antithesis of the current mode. Instead we live in a ‘one click’ world.”

Nicholas Rougeux 
Nicholas Rougeux

Nicholas Rougeux is a Chicago-based web-developer, data visualisation and concept artist.

“Stick with what you love doing. It sounds cliché but it’s true. There isn’t one guaranteed way to get what you want but if you keep doing what you enjoy, things tend to happen naturally.”

Helen Rye 

bio photoHelen Rye’s searing pieces of flash and short fiction have been nominated for numerous prestigious literary awards since she arrived on the short story scene in 2016.

“Nobody wants to read preachy writing, but sometimes what drives us to write is an unbearable sense of injustice, or the suffering of other people.”

Matthew Smith

1457448732152_2xAuthor, photographer and designer Matthew Smith is the founder of London publishing house Wundor Editions.

“The internet is great for seeking out specific pieces of information and for communication, but after prolonged periods it wears away at your concentration and offers little in the way of sustenance.”

Josh Spiller 

FullSizeRenderComic book writer, essayist and author of speculative fiction, Josh Spiller discusses everything from story writing to taking on corporate power structures.

“I think Star Wars a far stranger creation than I think most people perceive it as; with its bizarreness obscured beneath its patina as the pre-eminent popcorn blockbuster.”

Justin Sullivan

JS (Trust a Fox)Justin Sullivan is a singer and songwriter; the founding member and lead singer of New Model Army. Formed in 1980 to play two gigs, 14 studio and four live albums later they are still going strong.

“Political poetry and music rarely change people’s minds but what they can do is give focus and clarity to a half-thought and, most importantly, make people aware that they’re not alone in how they feel about the World.”

Dr Chuck Tingle


Erotic author and Tae Kwon Do grandmaster, with a PhD from DeVry University in holistic massage. Dr Chuck Tingle is an almost mythical figure.

“being creative is just being yourself and trotting with YOUR OWN unique way. just waking up in the morning and stetching your bones is creative because every moment is making infinate timelines.”

David Turner

DavidTurner_ThomBartleyDavid Turner is a poet and founder of Lunar Poetry Podcast – which features discussions, interviews and live recordings with poets in the UK and further afield.

“I’m attracted to the idea of building a platform that provides a space for writers , to talk about their creative process.”

The Ultra

d20188987445f363cfd44e8282f153ebFirst founded in East London, The Ultra is a band that likes to experiment and create interesting emotive music that captures memorable hooks and melodies.

“I think that there is a ‘battle’ against the independent artist and the big corporations for exposure and to make an impact.”


Laura Waddell

image1Shortlisted as Emerging Publisher of the Year by the Saltire Society, Laura Waddell writes reviews of fiction, a book column, articles, and short fiction and poetry.

“Art is about communicating, and what is communicated forms the landscape we live in – what we can expect or demand from our politics, the perspectives we read, the stories that are told and on the record throughout history.”



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