Scott Fitzgerald once wrote to a close family friend and aspiring young writer: “nobody ever became a writer just by wanting to be one”. It takes time, and effort. You have to put the hours in. You have to actually, well, write (surprising, huh?).
We’ve previously asked whether there is such a thing as the ‘perfect’ daily routine for writing. But if there is no such thing as an average writing day, is there any guidance on how much you should be at least aiming to write as you start to pen that epic poem or finally look to finish that novel you’ve been working on?
R.F. Delderfield, the English author of family sagas, wrote 33 pages each day, and he wrote until four o’clock in the afternoon. If he finished a novel at three o’clock, he rolled a clean sheet of paper into his typewriter, and began the next novel, and worked until quitting time. He credited a daily swim in the English Channel for his prodigious output.
Of course, not all of us are R.F. Delderfield. Not all of us write family sagas. And not all of us have ready access to the English Channel for our regular swimming sessions. Indeed, with author’s incomes collapsing to near ‘abject’ levels, many writers are increasingly facing more challenging difficulties in finding the time to meet their word output targets.
So what about other writers? How many words do they (or did they, in some cases) write each day? We’ve put together a list of the daily word counts of 20 famous authors, which you can check out here below.
Of course, there’s a problem with just taking a writer’s word counts and trying to deduce too much insight from them. The authors in the above list all write in different styles and genres – using different tools and in different conditions from one another. Not all writers monitor their word count – and others would advise against it; after all, the adage ‘quality, not quantity’ is surely rarely more applicable than when used in relation to writing.
Indeed, some writers – who write very well – will produce a great quantity of work that is then stripped back so much that to try and say how many words were actually produced per day over the course of any writing project is nigh impossible. Consider Philip Roth, for example, who said in his interview with the Paris Review that “I often have to write a hundred pages or more before there’s a paragraph that’s alive.”
Or there’s James Joyce, who took seventeen years to write Finnegan’s Wake.
On the point of Joyce, there’s a good Stephen King joke on the subject of his word count:
“A friend came to visit James Joyce one day and found the great man sprawled across his writing desk in a posture of utter despair.
James, what’s wrong?’ the friend asked. ‘Is it the work?’
Joyce indicated assent without even raising his head to look at his friend. Of course it was the work; isn’t it always?
How many words did you get today?’ the friend pursued.
Joyce (still in despair, still sprawled facedown on his desk): ‘Seven.’
Seven? But James… that’s good, at least for you.’
Yes,’ Joyce said, finally looking up. ‘I suppose it is… but I don’t know what order they go in!”
This joke echoes the sentiment of a famous story about Gustave Flaubert, in which his bohemian friends stopped by his house one day, and invited him to go out for a few days of debauchery (who wouldn’t?!). Flaubert declined, saying he had to write, so they went off and returned a few days later. (A good solid length of debauching, one would say). “How did your writing go?” they asked once they returned. “Fantastic!” Flaubert replied. “I put the semicolon back in.”
So it’s important to take each of the writer’s word counts with a pinch of salt – in that, just because they are writing x amount of words; it doesn’t mean you should be, too.
With that in mind, it can still be an interesting work of self-evaluation to consider how many words you write each day. Are you as prolific of Crichton or more careful with your words like Hemingway or Dorothy Parker? Let us know in the comments below!